A Quote by Steve Martin
A celebrity is any well-known TV or movie star who looks like he spends more than two hours working on his hair.
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TV is an extraordinary medium. You can do things with TV that you just can't do on film. There's so much more time, there's the opportunity for development, and you can let things lay dormant for a period. You can't really do that in two hours or three hours in a movie, that often, I would say.
I want to be the best actor that I can be; I want to be working in this business absolutely, and if that means being a movie star, then OK, that's fine. But to me, movie star, celebrity, all that stuff means something very different than being an actor.
I've been working some really long hours for the last five or six years. Anybody who works on series television knows, and especially women because women spend probably two hours more than the guys with all their hair and makeup crap.
The star is the ultimate American verification of Jean-Jacques Rousseau's Emile. His mere existence proves the perfectability of any man or woman. Oh wonderful pliability of human nature, in a society where anyone can become a celebrity! And where any celebrity . . . may become a star!
To me, there are two types of celebrity: there's good celebrity - people that are attracted to the food and working and trying to create something great - and then there's bad celebrity - those who are working on being a celebrity.
Lying about one's sexuality seems to be one of the ridiculous rules of what constitutes being a Hollywood movie star. Obviously, my own experience of working and continuing to work as an out gay actor is exactly that - working as an actor and not as a movie star. I don't think the two are the same.
I'd like to do more TV; TV is completely different than working in movies in a lot of ways, it's like making a really compact movie. Because you don't have as much time, especially hour long shows, they move so quickly.
As an author, I don't really think too much about being a celebrity. It's not like being a movie star or a TV star. It's not as if people recognize me when I walk down the street. That hardly ever happens, and it's just as well. But it is great when people know my books, when I walk through an airport and see them in the bookstore, or when I see someone reading a book on a plane or on a train, and it's something I've written. That's a wonderful feeling.
Inside every TV star is a movie star screaming to get out, and Donna Frenzel, with whom I'm guessing you're not instantly familiar, made George Clooney a movie star once and for all in the first ten minutes of his fifth feature, 1998's 'Out of Sight.'
You know, Alundra Blayze, with her looks could star in TV westerns...if she had two more legs.
You can do things with TV that you just can't do on film. There's so much more time: there's the opportunity for development, and you can let things lay dormant for a period. You can't really do that in two hours or three hours in a movie that often, I would say.
Timing is everything. Tell me how a young man spends his evenings and I will tell you how far he is likely to go in the world. The popular notion is that a youth's progress depends upon how he acts during his working hours. It doesn't. It depends far more upon how he utilizes his leisure...If he spends it in harmless idleness, he is likely to be kept on the payroll, but that will be about all. If he diligently utilizes his own time...to fit himself for more responsible duties, then the greater responsibilities - and greater rewards - are almost certain to come to him.
Working on 'Honeymoon,' an independent movie, was almost like working on TV with the space, and everything was stripped down - costume and hair and makeup. There was very little to hide behind, and you absolutely had to create the character from within.
In general, working on a horror movie is no different than working on any movie. Turn the camera around and there's 20, 30 people standing around, eating doughnuts, smoking cigarettes between takes, working, like any other set.
The average teen today spends about 35 hours a week in front of a screen of some kind: iPod, movie, TV, video. And a lot of it is good, but a lot of it's not. And so I think you've got that five hours a day of media coming into your kid's head that's creating a lot of havoc out there.
It's not a man's working hours that is important, it is how he spends his leisure time.
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