A Quote by Steve Sabol

The importance of an artist is bringing new signs into a language. — © Steve Sabol
The importance of an artist is bringing new signs into a language.
The importance of an artist is to be measured by the quantity of new signs which he has introduced to the language of art.
One of the reasons I love language is that concerning semiotics, language is an arbitrary sign system, which means the signs within it are free-floating, but we put them in a certain order to get them to have meaning for us. If we left them alone, they'd be like water, like the ocean. It would be just this vast field of free-floating matter or signs, so in this way, I think language and water have much in common. It's only us bringing grammar and syntax and diction and the human need for meaning that orders language, hierarchizes it.
One can understand nature only when one has learned the language and the signs in which it speaks to us; but this language is mathematics and these signs are methematical figures.
The natural reaction of the artist will be strongly towards bringing man back into focus as the center of importance.
In my paintings, the question on whether figures are similar or not is not of any importance, the slightest change of figure or color can create a new painting and it doesn't really matter if a subject is revisited by an artist repeatedly. With enough time in between paintings, an artist can always bring to it something new.
The commerce of minds was necessarily the first commerce in the world, ... since before bartering things one must barter signs, and it is necessary therefore that signs be instituted.There is no market or exchange without language. The first instrument of all commerce is language.
Humble words and increased preparations are signs that the enemy is about to advance. Violent language and driving forward as if to the attack are signs that he will retreat.
It has not been definitively proved that the language of words is the best possible language. And it seems that on the stage, which is above all a space to fill and a place where something happens, the language of words may have to give way before a language of signs whose objective aspect is the one that has the most immediate impact upon us.
Nature is a language and every new fact one learns is a new word; but it is not a language taken to pieces and dead in the dictionary, but the language put together into a most significant and universal sense. I wish to learn this language - not that I may know a new grammar, but that I may read the great book which is written in that tongue.
I think even when I was little there was signs that I was an artist. I've always been an artist.
I feel impelled to speak today in a language that in a sense is new-one which I, who have spent so much of my life in the military profession, would have preferred never to use. That new language is the language of atomic warfare.
I was able to learn a new language - a new musical language is learning a new language, because it's so extremely different from Western classical music. African music is completely different.
Painting is... a richer language than words... Painting operates through signs which are not abstract and incorporeal like words. The signs of painting are much closer to the objects themselves.
I believe that the artist doesn't know what he does. I attach even more importance to the spectator than to the artist.
He was one of those inexplicable gifts of nature, an artist who leaps over boundaries, changes our nervous systems, creates a new language, transmits new kinds of joy to our startled senses and spirits.
The fact that all our ape cousins - chimpanzees, gorillas and orangutans - can acquire signs - is powerful evidence that our hominid ancestors' first language was gestural and that the vocal version of language was a relatively recent development. My own guess is that vocal language began emerging about 200,000 years ago.
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