A Quote by Steven Knight
No screenplay is possible, unless you get some attachment from somebody who's going to get it made.
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If possible, to be in a position to announce who is going to step in as the interim immediately. And if possible, to announce who you're going to nominate to replace that person. For that to be somebody of impeccable integrity and reputation disarms a lot of the worst criticism that it's some kind of a power play. It's a professional approach to replacing a senior official, which is always going to get a lot of attention.
Unless it hurts, unless there’s some vulnerability there, I don’t think you’re going to get good photographs.
Prisoners do different things. Some write, some read. Some engage in athletic events and working out and some do all of that. Some get involved in the religious groups that they're part of. Some get involved in hobbies that are permitted in prison. There are plenty of ways to stay busy. You're never going to survive in prison unless you start getting busy.
A lot of artists feel it's not worth it to sign with a major label, because if you don't have a giganto hit, then you're not going to get a video made. You're not going to probably get much tour support. You're not going to get promotion. You're certainly not going to get a publicist who's going to pay much attention to you.
If I get lucky and I can choose, I would always choose a really good story and screenplay, even if I don't know the director. If there's a good screenplay, there's a chance that something good is going to happen.
You write a screenplay and then everybody is going to want to get in on it and we have to figure that out. I've written three screenplays that are at studios and I still haven't been making them yet so there is always something that is either going to trip something up or maybe get another pass.
If there's a good screenplay, there's a chance that something good is going to happen. If you don't have a brilliant screenplay, then you either have amazing actors who give you the chance to improve whatever is on the page, or an interesting director who has enough faith in the project that they can carry it through and get it somewhere.
Well, the kind of central question: "Do you want to live - and I don't mean stay alive - do you want to feel your life while you're living it?" You know, there's somewhere to go that was here before we were and is going to be here after us, so get out there in it. It doesn't take somebody who's got some self-important sense of their own attachment to nature to recognise that you're just stupid if you don't go out there.
Some years down the pike, we're going to get the real solution, which is going to be a combination of death panels and sales taxes. It's going to be that we're actually going to take Medicare under control, and we're going to have to get some additional revenue, probably from a VAT. But it's not going to happen now.
When the only bond between close friends is attachment, then even a minor issue may cause one's projections to change. As soon as our projections change, the attachment disappears, because that attachment was based solely on projection and expectation. It is possible to have compassion without attachment, and similarly, to have anger without hatred.
I'm working on a screenplay right now for the BBC, but I hope to have the decks cleared soon so I can get into the studio with my pals and put down some more tracks, try to get a strong dance single together.
I get an opportunity to communicate with the audience about the movie that I've made. I get the chance to bring attention to the film that I've made. I care a lot about the movies that I make. I want them to reach an audience, and I want them to be successful. I promote nearly everything that I do, unless I've got some bad taste in my mouth.
If you can get your movie made the way you want to get it made, no matter what the end result is going to be, if people are going to see it, that's awesome.
Generally speaking, companies get into bankruptcy as a kind of meritocracy. Somebody made some sort of big mistake, to get into bankruptcy, and very often, a part of the mistake is too much leverage.
Scripts are what matter. If you get the foundations right and then you get the right ingredients on top, you stand a shot... but if you get those foundations wrong, then you absolutely don't stand a shot. It's very rare-almost never-that a good film gets made from a bad screenplay.
The truth is, people don't know me. When people don't know you, they're going to try to get to know you as quickly as possible, because you're now taking the place of somebody that they love dearly, or somebody that they hate sincerely, and so they need to know who you are.
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