A Quote by Steven Knight

There [in Allied] was depicting London in the war, as well, and doing that in a way where you see something that you don't normally see, which is how hedonistic it was. In reality, that's what was going on. But, all of it worked.
People normally cut reality into compartments, and so are unable to see the interdependence of all phenomena. To see one in all and all in one is to break through the great barrier which narrows one's perception of reality.
Here's an easy way to see if a war movie is being truthful: If you see an explosion on a faraway hillside and the sound of the explosion and the detonation of the bomb happen at the same time - if they're putting the sound and the vision together in the same moment - they're going toward our cultural understanding of war, not the reality of war.
Just about every science whiz can tell you how he or she took apart the TV or the radio when they were kids just to see how it worked. To see what the world was made of. Well, when I was a kid, I took apart fairy tales to see how they worked. To see what the world was made of.
There is no way reality can be prevented from flowing the way it flows. It is our vain attempts to force it to flow in the service of our imaginary needs which sets us in painful conflict with our- selves and nature. You are not separate from the flowing reality; you are that flowing reality. See this and you will not see any- thing else which conflicts with it. You will be what you see.
See, if there is zero possessiveness in a relationship, then one needs to put a reality check to see if things are really going fine. So, normally, everyone is a bit possessive, and so am I.
How can you see something that isn't there?" yawned the Humbug, who wasn't fully awake yet. "Sometimes, it's much simpler than seeing things that are,"he said. "For instance, if something is there, you can only see it with your eyes open, but if it isn't there, you can see it just as well with your eyes closed. That's why imaginary things are often easier to see than real ones." "Then where is Reality?" barked Tock. "Right here,"cried Alec, waving his arms.
I think it's impossible to predict the future but it is possible to look at the past and see how one can do differently from what one's ancestors have done and learn from their mistakes, and one can see how even though there are enormous forces which stop one doing what one wants to, there are little holes in which the individual can do something.
War today is such a more visible thing. We see it on television, on CNN. In 1914, war was a concept. There was a naivety and stupidity that war would be a great lark. It's not that different from Gone With The Wind, where all the young men can't wait to go off to fight and then two hours later in the movie, we see how the reality of that has come home to them.
My biggest thing is I need to see a lot of pitches, which I did today. That's good. The more pitches you see, the better your timing is going to be. But it's going to be impossible to see enough pitches. No matter how many pitches you see, it's still going to be March 6.
The Soul which is approaching its' liberation, as it looks back over past lives... down the vistas of the centuries along which it has slowly been climbing,... is able to see there the way in which the bonds were made, the causes which set it in motion. It is able to see how many of those causes have worked themselves out and... how many... are still working themselves out.
I think that's what the most fascinating part of getting to know someone is - to see how they do things, and how their way of doing things is different from your way of doing things, and the fun of trying to do it their way and to see what value there is in looking at things from their perspective.
That's just how I see things on a base level: there's so much going on. Or at least I like to have that feeling. It's part of being interested in notions of reality apart from storytelling. I don't know if it has something to do with having an art school education, which makes you aware of the way visuals speak, or makes you trust them more.
We have only to see how that which makes up the reality of our lives relates to our vocation; we have only to hear the call God makes to us to work with him. Quite often it is not a matter of doing something different, but doing it differently.
I cannot see the war as historians see it. Those clever fellows study all the facts and they see the war as a large thing, one of the biggest events in the legend of the man, something general, involving multitudes.
From university, I tried to get into the profession almost immediately, and just got kind of kicked back in London, by lots of people saying, "Well, you know, we'll need to see you in something. And the easiest way for you to get seen in something is drama school. That is the best way to get an agent."
In a way, going to Africa allowed me to see possibilities that sometimes seem impossible in certain conditions. It also allowed me to see opportunities for material strategies. I hate it when people think I went and got something [from Africa] and brought it here. It's more about how it affects the way in which I work and affects [my] creativity.
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