A Quote by Steven Knight
I think the best actors do both. I think they fulfill what you want them to do, in terms of the vision for the whole piece. And then they always bring something that does surprise you and shock you.
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Many times when people have a vision, they think in terms of a big vision - I want to take my city for Christ. But the problem with many pastors and this type of vision is this: they haven't developed the strategy to fulfill that vision. A pastor preaches a dream or vision to his/her people, they get excited for a week, a month, or a couple of months, but there is no strategy, planning, or process to fulfill that vision.
The dream, I think, with any project is it starts with an idea, and then somebody writes it, and the writer hopes that a director comes on and makes this piece of material visual, and both the director and writer hope that they can have actors come in and bring something to it that neither one of them expected, elevating it along the way.
I think it's part of the responsibility of an artist to shock, to upset, to make people think differently, and to surprise people. And that's where the good humor is, if there's a surprise and there's something unexpected. Something that's not normal, not in the realm of general living expectations.
Actors are players and if they're hot, or onto something, you let them go, or you and the actor can both get on to something. I always run out with lines as I think of them.
I think the best privilege that I have in terms of having them as my parents was not just the doors that opened, but, I think, the stability to be graceful in the face of rejection, which is something that actors get every single day, and knowing it's not personal and not having that be part of your psyche.
I don't like the phrase shock value. Surprise is essential in comedy, and if people are shocked by what I consider merely surprising, then that's their shock. But there is no joke without surprise.
The quality of Korean actors is actually quite high. Their passion is overwhelming but not many platforms are available to cater to their creative needs. They're thirsty for something new and I think that's where I connect with them. They have vision. In certain sense many Korean actors have better vision than directors.
I don't think many actors are the best judge of careers. I think generally we have good instincts about what we can do in terms of acting. And often they become directors, which I don't want to be.
My film school is making movies. But, I do think that being an actor has served me immensely, as both a writer and director, in terms of knowing what is playable and what will be fun to play, for actors, and also how to communicate to actors on set, and not screw them up and get them in their head.
Anything that you can shock somebody with. The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.
I think actors always like to think they don't bring the character home, and then their family all laugh and tell you otherwise.
My fellow actors inspire me a lot and really good writing inspires me. And then trying to stick to the decision to only do something that I think will challenge me and that I, personally and very subjectively, I think is good not do something because I think it will bring me a lot of money or bring me a lot of awards. I've tried to very, very rigorously be highly subjective about what I do. And that's something that I think I have basically lived by.
I think that sense of surprise, that you don't know where something is going, or what's going to happen, even as you write, that you're making it up as you go along - that's important to me. It's not a question of shock or surprise in a gimmicky way. It's that as you read, you become more deeply into something and into what happens, and become more involved and engaged, you're learning something or you're appreciating something or seeing something differently - that's what's surprising.
I think many young actors want to be daring. They want to surprise their fellow actors as well as their audiences.
Design always has a purpose, art has no purpose. That's really the difference between them. Do I think one is better than the other? Absolutely not. I think they both fulfill functions.
I think of shock as kind of an uptown form of surprise. Comedy is filled with surprise, so when I cross a line... I like to find out where the line might be and then cross it deliberately, and then make the audience happy about crossing the line with me.
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