A Quote by Steven Knight
I think the best research is people you meet and things that they say, rather than second hand accounts of something. I think when you meet someone and talk to them, then you get the real thing and that's what you can use. That's the material you can actually put on the page.
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You know when sometimes you meet someone so beautiful — and then you actually talk with them, and five minutes later they're as dull as a brick. But then there's other people, and you meet them and you think: "Not bad, they're okay," and then you get to know them, and their face sort of becomes them, like their personality's written all over it; and they just — and they turn into something so beautiful.
Fiction allows us to see the world from the point of view of someone else and there has been quite a lot of neurological research that shows reading novels is actually good for you. It embeds you in society and makes you think about other people. People are certainly better at all sorts of things if they can hold a novel in their heads. It is quite a skill, but if you can't do it then you're missing out on something in life. I think you can tell, when you meet someone, whether they read novels or not. There is some little hollowness if they don't.
I think that there's an idea in 2016 that if a woman doesn't have it all then she's lacking in some way, and I think that 'having it all' is the kid, the relationship and the career, and that seems horribly skewed. I get genuinely excited when I meet women - or men - who don't want to have children. It's refreshing and unusual and means they're not swayed by what society has told them, they're just listening to their own basic instincts. I love meeting people who are fulfilled by other things. I think, 'lucky old you' when I meet someone single.
I think that we in the West expect people to adapt to our culture very, very quickly when they come to our country. But when we go over to someone else's, I don't think we are willing to meet them halfway like we expect them to meet us. I think having cultural sensitivity is a lot more important than we realize.
I only try to talk to people about things I really do use in my shot. If I see something similar and something that will help them, then you try to come to them and say, 'I think I might have something for you. Think about it if you like it.' If they do, and they want to keep talking about it, then I will.
I don't find a lot of people actually saying things through music any longer. They are not trying to say anything with their music, they just want to make money with it. I think it's important to actually say something real, something meaningful, rather than just write some trash and try to sell it.
One of the best things I get to do is meet people that have been to the shows and listened to the music. I still don't indulge in the social media side of things, so that's my way of starting conversations - actually hearing people talk.
I think the best writers use the language they use every day when they talk to friends. When we talk to each other, we tend to talk in short grabs rather than in long flowing sentences. I think that's not a bad way to write.
The thing is, when you put a button in someone's hand and give them the power of yes or no, no is a shorter word. People just say no. The power lies in who can say no the most. But, real power, though, lies in the opportunity to say yes. I think people ultimately realize that, but not when they're in the spotlight.
Sometimes you meet someone, and they seem great, they seem exactly what you're thinking of for the role, and then you put a camera on them, and they freeze. And other people come to life with the camera on them. I haven't discovered any reliable predictor for that; I think you just have to try it and see what happens. And, you know, sometimes the people who freeze, if you find the right magic word to say to them, you can unlock them.
The great thing about doing art shows is you get to meet the people who are interested in your art, and I think that when you're purchasing a piece of art it's a tremendous bonus to get to meet the artist because you get a chance to pick their brain a bit and find out first hand what the piece is about for the artist.
When you meet dishonest people, move them with sincerity. When you meet violent people, affect them with gentility. When you meet warped people, inspire them with justice. Then the whole world enters your forge.
The only thing I can say in comparison is when I play comedy characters; I definitely put empathy in right up at the forefront. I think if you believe in someone because you not necessarily feel sorry for them, but you can see how they are the way they are and you can laugh with them, but rather than laugh at them, you are on their side and I think it's
I think I'd rather tell the truth and say what I believe in and make people unhappy than sort of pretend to think something else to accommodate them and try to be liked. That's just the way it goes and I don't think I'm any great champion of anything, but if they're going to put me on a show, I'm going to say what I think.
I work with a lot of young people who have poems that are changing their lives, that they're eager to talk about, but every now and then when I meet someone, maybe someone of my parents' generation, and I tell them that I write poetry, they'll begin to recite something that they memorized when they were in school that has never left them.
I've done quite a few things based on real events or real people, and I think that's always really interesting that you can read about them or, if you're lucky, you can meet them.
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