In some ways, a novel isn't as structurally rigorous as a screenplay or a TV show, which have finite real estate. In a novel, you can more deeply illuminate a character's interior and get away with digressions.
A novel is utterly your own creation, a very private process. I think of a novel as a noun and a screenplay as a verb. In a novel, very little needs to happen; you can explore a person's memories and thoughts and fantasies. In a screenplay, it's all action; you must push the story on.
When I write a novel, I am God at my own typewriter, and there is nobody in between. But when I write a screenplay, it must be a compromise because there are so many elements which are outside the writer's province.
Not everyone realises that to write a really good piece of journalism is at least as demanding intellectually as the achievement of any scholar.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
Young readers are the most challenging, demanding, and rewarding of audiences. Adults often ask why I write for the younger set. My reply: 'I can't think of anyone I'd rather write for.'
From my years of work with so many game show production companies and their producers I'm probably no longer eligible to be a contestant on any American game show.
A screenplay is not a finished product; a novel is. A screenplay is a blueprint for something - for a building that will most likely never be built.
I set out to write a screenplay but, since my early 20s, had dreamed of writing a novel.
When I started writing short stories, I thought I was writing a novel. I had like 60 or 70 pages. And what I realized was that I don't write inner monologue. I don't want to talk about what somebody is thinking or feeling. I wanted to try to show it in an interesting way. And so what I realized was that I was really writing a screenplay.
I'm talking about intellectually and emotionally challenging, but at the same time it's actually not that challenging. So there's this dichotomy.
A screenplay adaptation of my 'Punktown' novel 'Health Agent' has been making the rounds. The screenplay was written by my friend, singer/songwriter Walter Egan of 'Magnet & Steel' fame!
I try to create an environment where it's okay to make a mistake, though it's not okay to be unfocused or come in unprepared. I'm challenging and demanding, but very patient. I don't tell you how to get there and I don't show you what to do, though I'll ask leading questions.
Anyone can sit down and write two pages of a novel, then forget about it, and a week later write five pages of a screenplay, then forget about it, and a week later start another novel... etc, etc.
To write a novel may be pure pleasure. To live a novel presents certain difficulties. As for reading a novel, I do my best to get out of it.
The novel's not organized like a screenplay. If you shot the novel, you'd have a twelve-hour movie.