A Quote by Steven Knight
I do lots of projects in film and TV. You have some that are lucky, and some that are unlucky.
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TV tends to be like, if you're lucky, it's like Las Vegas. You can't get out. There's always another pitch meeting. They keep you on the casino floor. If I'm unlucky, if I'm lucky enough to be unlucky, I would love to write a movie.
Tiger Woods has been unlucky with his body. I don't know whether some of it is self-induced or some of it is just unlucky. But we never know what happens with guys.
After working as a producer on many pop, electronica and some soundtrack, incidental music projects, I became more focused on film and TV scores.
In my early days, I didn't know what a good film or a bad film was, and I was trying to make some money. As it happens I was lucky. I made some good films.
I work out most days, normally first thing, and then I just see where the day takes me. I recipe test most days, do lots of social media and emails, but nothing else is constant. Some days, I film YouTube videos; other days, I have lots of meetings, work on blog posts, brainstorm ideas, and work on upcoming projects.
If you think of the public lives of people who've been unlucky, it seems showbiz is some tumultuous crazy world but some are fortunate and some unfortunate. All I can do is keep striving to be better.
Those who were unlucky in life in spite of their skills would eventually rise. The lucky fool might have benefited from some luck in life; over the longer run he would slowly converge to the state of a less-lucky idiot. Each one would revert to his long-term properties.
My education - my Ph.D. in storytelling - comes from having worked on it, being a lover of film and watching them, from working with some great writers and some very good TV directors and then working with some who weren't.
There are no accidents so unlucky from which clever people are not able to reap some advantage, and none so lucky that the foolish are not able to turn them to their own disadvantage.
My focus is films, and 'Angela's Eyes' is one of those TV projects that has some good TV concepts behind it and good writing.
You know how some people are unlucky in love? I was always unlucky in exercise. I'd get into a relationship with a workout program or guru, we'd go steady for a few intense months, and then we'd have a really ugly breakup.
I've been really lucky to work with some really great film people in the past, but television works on a much quicker schedule, and it's the TV directors I've worked with that I looked to and became a big fan of.
A book, like a person, has its fortunes with one; is lucky or unlucky in the precise moment of its falling in our way, and often by some happy accident counts with us for something more than its independent value.
I think that distance is good for some people for certain projects. I mean this is sort of a dynamic question. Some projects require more distance than others, some don't require it at all. Sometimes you need it and sometimes you don't.
I have done lots of music projects in my life and some of them I am more proud of than others.
I've been very lucky to have been chosen for and to have chosen roles that are good. Some are better than others and some projects are better than others, whether it's female or male characters. There's still more that we can do and there's still more stories to be told. I would love to see more female-driven projects in general.
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