A Quote by Steven Levitan
What about the accusation that Hollywood is trying to advance its liberal agenda? Well, the fact is, while the creative community admittedly leans left, Hollywood has become a corporate town.
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The biggest danger of Hollywood becoming a purely corporate town resides in the creative process.
Hollywood pushes a liberal agenda to the rest of the country. And, whether we like it or not, Hollywood dictates the culture of the country.
I think that Hollywood is sort of guilty of having a moral blind eye on this subject. While at the same time, you know, being involved in a lot of liberal causes and being involved very militantly, Hollywood is, in fact, guilty of helping to addict people to smoke.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
The radical rightwing pegs Hollywood as a leftist town, which is completely wrong. There are a lot of actors, writers, and directors who talk a liberal agenda... but all the studio bosses, for as long as there have been studios, have all been as far rightwing as you can possibly imagine.
I do think the Obama agenda is the furthest left agenda we've seen since probably LBJ and the Great Society. And the differences have been that instead of him trying to go center-left, he's gone - in my estimation - more left. He's shown the country a much more aggressive liberal, more European style agenda, and that's on a center-right country.
We're all complaining about diversity in Hollywood, but we've got to address the colorism within the black community of Hollywood first.
Hollywood is for-profit, is what Hollywood is. All the studios are owned by big, megacorporations that are the furthest thing from liberal you can possibly imagine.
I think Hollywood... well, there is no Hollywood anymore so let's just call it the mainstream since the business is no longer Hollywood producing its own films and then distributing, they just distribute.
I learned Hollywood is a small community, and you really have to be a part of the community to get anything done. Unlike traditional industries, where you can do things from afar with phone calls and e-mail, this town is really about being social. Because that's how trust gets built.
We need a liberal agenda in which government resists the temptation to interfere in the lives of individuals but is equally determined to play an active role where creative action can advance the liberties of all.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
Being from New York, there's three things you know about Hollywood. You know about the Hollywood sign, Sunset Strip and Hollywood Boulevard with the stars.
Hollywood is a very liberal community. There are a lot of guys that are also conservative that are frightened or fearful of being able to come out. And there's also the alternative. I'm one of the few conservatives that are involved with the Creative Coalition. It's trying to propagate the arts in schools and education, and a lot of things I believe in. It's a bipartisan thing, but when there is this strong partisanship... The other thing is, I'm pro-life, that's absolute, but I'm for live and let live. I'm an entertainer, I don't believe in stopping anyone's freedoms of lifestyle.
[A]t the beginning of November 2001, there was a series of meetings between White House advisers and senior Hollywood executives with the aim of co-ordinating the war effort and establishing how Hollywood could help in the "war against terrorism" by getting the right ideological message across not only to Americans, but also to the Hollywood public around the globe the ultimate empirical proof that Hollywood does in fact function as an "ideological state apparatus.
Hollywood, that whole industry, is a lot like a really small town. You bump into the same people all the time. I think Six Degrees of Kevin Bacon can be played with anyone and everyone in Hollywood.
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