A Quote by Steven Soderbergh

We have to have a version of our own story that we keep telling ourselves that allows us to get up in the morning. This version of yourself is what you sell to yourself. I think it necessarily includes ... not looking at certain things. Everybody's got some blind spot.
The most important thing you can do as a performer is to be yourself, or be an onstage version of yourself. If you're not being true to yourself, and somebody likes that other version of you, you're kind of stuck.
I think we all carry within us different versions of ourselves. Our true, greatest, most honest versions of ourselves can either be developed and nourished, or it can remain dead from neglect. Most people opt for the easiest version rather than the best. But in the end which version lives, which version thrives and which version dies, depends on the choices we make and the people in our lives.
You are not obligated to pull yourself up by your bootstraps and find a way to conquer the odds, to be stronger or transform yourself into some better version of yourself. The pain you are feeling (whatever the degree) may be a reminder that things are not as they should be.
When I was very young, I was already a fabulador. I loved to give my own version of stories that everybody already knew. When I got out of a movie with my sisters, I retold them the whole story. In general they liked my version better than the one they had seen.
You project a version of yourself to the public to protect and insulate yourself a little bit. Actors come up with a version of themselves in order to protect the real person.
The most important thing you can do as a performer is to be yourself, or be an onstage version of yourself. If youre not being true to yourself, and somebody likes that other version of you, youre kind of stuck.
I think you're attracted to things that are different from yourself in a character because it's more interesting, and you get to play out a fantasy version of yourself.
Your stage persona is usually a version of yourself, to varying degrees. Some folks do a full-on character, so that's different. But most comics do some version of themselves.
Do not let yourself get in your own way. Don't judge yourself and knock yourself down. There is enough of that out there already. Remember: you are an artist, and you bring something special to this craft. Take in notes and criticism, but don't let them define you. Don't try to become a watered down version of yourself.
The best time to tell your story is when you have to tell your story. When it's not really a choice. But then, when you get that first, messy, complicated version down, you have to read it over and be very tough on yourself and ask, 'Well what's the story here?' If you're lucky enough to have someone you trust looking over your shoulder, he or she can help you if [you] lack perspective on your own story.
You've got to give your past attention, but you've got to forgive yourself, acknowledge what you did wrong, and be a man, taking responsibility. You can't not fly anymore because of the things you've been through. You've got to believe in a brighter future, that better version of yourself.
A good story isn't the one that shuts everyone down and sort of leaves them in silent awe. A good story is one that, even before you finish the anecdote, you can see their eyes shining because it has so resonated with something from their own lives that everyone in the group has a version of the same story and they cannot wait to tell it, and that they're going to compete to make their version even more extreme than your version. So your version is just a seed.
Some characters think more like me than others; some think more like my dad or someone else. It certainly is made up of my experiences, things I've heard, things I think are funny, things I think are sad. There's sort of a strange, blurry version of yourself in there.
Memory is the way we keep telling ourselves our stories - and telling other people a somewhat different version of our stories.
Grimes is the extreme version of doing everything yourself. I think this is impressive, because she is fiddling with things I couldn't fiddle with, all the technical stuff. I know what I want to do, but I wouldn't do it all my own, I would go crazy. This is insanely hard, to do an album by yourself. But I admire her for that.
You've got to be happy with yourself. You can't sell yourself if you're out here and you ain't good. Because you're giving people messages, and if your message is wrong, then it's like the blind leading the blind.
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