A Quote by Steven Soderbergh

Whenever you experiment with something, it's very easy to take the emotion out of it. And going back and forth between wanting to be respected artistically and wanting to move people is its own challenge.
Going back and forth between wanting to be respected artistically and wanting to move people is its own challenge.
The state of love is this constant flux back and forth between who's saving and who's rescuing, who's wanting and not wanting, who's needing and who isn't. It's always going back and forth between two people who are actually attached.
There's a difference between wanting to be respected and being a strong female and being known for being able to do things, but still very much wanting guys to open the door, wanting them to ask us out, still bringing flowers and stuff like that.
You get dinged for wanting to do a comedy, then wanting to do a big-budget action film, and then wanting to do an indie. But you can't let other people trying to label you get in the way of trying to do something artistically.
It was palpable, all that wanting: Mother wanting something more, Dad wanting something more, everyone wanting something more. This wasn't going to do for us fifties girls; we were going to have to change the equation even if it meant . . . abstaining from motherhood, because clearly that was where Mother got caught.
I don't know that I ever wanted greatness, on its own. It seems rather like wanting to be an engineer, rather than wanting to design something--or wanting to be a writer, rather than wanting to write. It should be a by-product, not a thing in itself. Otherwise, it's just an ego trip.
I'm always going back and forth between wanting to do stuff that's abstract and stuff that's just telling everybody to listen.
I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
One of things I write about a lot is the role of women. An older friend of mine said that she feels like there's always a tension between wanting to be free and wanting to be cherished. I think that's one of the things that my whole book speaks to, wanting to break out of the confines of the roles that are prescribed for women and yet at the same time, not wanting to be totally free. You want to have intimate relationships. It's that bursting out of confinement.
I go back and forth between wanting to be abundantly simple and maddeningly complex.
It's aggravating to me when you meet people that are just... you know, there's a difference between wanting to be an actor or a writer or something creative, and just wanting to be seen.
I'm always struck by the kids who turn up in New York and LA, and places in between. Chicago. Wanting to do theater, wanting to do independent film. Wanting to break into television or radio.
For writers and artists, it's always a balancing act between wanting to be the center of attention and wanting to be invisible and watch what's going on.
Back when I was competing I had a lot of fans wanting my autograph, wanting to take my picture, but nothing like what my son is dealing with.
I think there's something about wanting to stand in the spotlight. I think the ball is a spotlight, for example, and I think they want to stand in that. I a lot of times see - LeBron is a guy that vacillates between wanting to do that and then wanting to get somebody else involved.
Hope is wanting something so eagerly that-in spite of all the evidence that you're not going to get it-you go right on wanting it.
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