A Quote by Steven Soderbergh
Sometimes I might feel like [a movie] is kind of a weird idea and if I'm going to get enough money to execute it properly I've got to get somebody in it that is going to justify the expense.
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People need to be given enough so that they feel like they're not missing something. There's a thing that you have when you watch a movie where, if you feel like you're not following and you're going to get tested on it later, you're going to get disengaged. So, you have to give people just enough information, so that they're able to keep up with the story.
The person who lets them get you down, any kind of problem, is the person that fades out. So you've got to be strong enough; you don't like it, but you've got to be strong enough to accept what's going on and that you're going to fight it or whatever it takes to overcome this matter. That's the way I feel.
Obviously, in football you can study somebody, but at the same time, once you get out there, I think there's just a natural kind of feel for where you think guys might be or where they're going to go and knowing beforehand what's going to happen. It's just like chess.
The idea of an animated film is you always kind of get a little bit daunted by it as a filmmaker because it feels like a lot of your communication is going to be with computer artists, and you're going to have to kind of channel the movie through extra pairs of hands.
It's just so weird coming into the gym and not feeling like, you know, 'I'm going to die.' Before it was like, 'I've got to hit that routine or I'm going to get yelled at.' So it's just been really nice to kind of relax a little bit and be able to really focus on gymnastics and get to enjoy it more.
So to make movies, if you're first goal is to make money, well you can! Make a tent-pole movie that China wants. But that's not the kind of thing that's really going to get your remembered. You're not going to change anything with that. You might become rich from it!
Sometimes when we get our ass kicked and we're down, sometimes we stay down, and sometimes we get depressed and sometimes we don't know how to handle it, and sometimes we don't know what's going on, and sometimes we feel like it's not worth going on.
You kind of notice what's going on in your body, and you can kind of feel a certain tightening, or fear, which is something that, as an artist, I've kind of befriended. I can pretty much count on it for anything that I engage in - that thing like, "Am I going to be able to pull this off?" Well, what am I gonna do with this feeling? The more nervous you get, the more worried you get about it. So you pay attention to what you might need.
There are certain scenes in the edit you're playing with it and certain scenes don't put back together the way you imagined. Sometimes they're better and sometimes they don't have that thing, so it's never foolproof. But you certainly get an idea that here we've got enough and we've got to move on because you're always against time and money there. Whatever the budget is, you have to get practical about it.
I feel like with a movie you know your whole journey, and even though little minutiae might change, you're able to get a better idea of where you're going, whereas TV is engaging a different side of your brain.
Look, if somebody said tomorrow, "We're making a Lethal Weapon formula movie, but it's incredibly well-written and for two women," I'm not going to say, "Oh, forget it, it's formula." I got an idea the other day, that somebody should write a typical formula movie, a Lethal Weapon, and make it with me and my dad. It could be all father-and-daughter capers. But I'd want someone really weird to direct it.
You have to treat people gently because we're all in a process. What might seem like a good idea to somebody at 21 is probably not going to seem like a good idea at 50, but you don't know that until you get there.
What might seem like a good idea to somebody at 21 is probably not going to seem like a good idea at 50, but you don't know that until you get there.
Don't cling to fame. You're just borrowing it. It's like money. You're going to die, and somebody else is going to get it.
I don't want to play a laptop live if I'm just going to sit there, so it's also a problem of working at my movie theater job long enough to get money to get better equipment.
You could be jealous of a girl who's not as pretty as you, but you just have that feeling that she's going to take your dude, and you might be right. Or you might be jealous of somebody who's not as good at their job as you, but you have this feeling that she's got that something extra that's going to help her move ahead. Whatever it is, you might have that weird feeling, and you might be right.
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