A Quote by Steven Soderbergh

I can make a movie about Lee Harvey Oswald and make you feel what he feels and make you understand why he believes what he believes. That doesn't mean I think you should go out and shoot JFK.
I met Lee Harvey Oswald, in Moscow just after he defected. One night I was having dinner with a friend, an Italian newspaper cor­respondent, and when he came by to pick me up he asked me if I'd mind going with him first to talk to a young American defector, one Lee Harvey Oswald. Oswald was staying at the Metropole, an old Czarist hotel just off Kremlin Square.
I would not call myself a veteran conspiracy theorist. Or an obsessed one. I pretty much peaked on the whole conspiracy theory thing in the '60s, with the grassy knoll, who really killed JFK, and who ordered the hit on Lee Harvey Oswald.
[Donald Trump] spreading preposterous rumors that [Ted] Cruz`s father had connections to Lee Harvey Oswald and the assassination of JFK. That put a bit of a damper on the bromance ultimately culminating in Cruz`s epic non-endorsement at the Republican convention.
There are various, nay, incredible faiths; why should we be alarmed at any of them? What man believes, God believes.
You make a movie to entertain audiences. That's why you make a movie. The product sales is because people love the characters, and to me, that is a testament to how our movie has become so ingrained in family's homes all around the world and that's why I make movies.
I'm trying to make something every time that feels new and surprises people. Hopefully at least one person. But it's not like I turn it off. I don't make a movie and then go back to my normal life. When I'm finishing one movie the next day I'm thinking about the next one.
I don't think people understand what it takes to make a movie unless they've experienced it themselves or been around it. It's a miracle every time you make a movie, and a bigger miracle if it turns out well.
I am a filmmaker. My job is to make films. When something excites you - a story or characterisation - you immediately forget about everything else. You only think how to make a movie out of it. The economics come only later. You shouldn't let money dictate the kind of films you should make.
In 1964, when Lee Iacocca said, 'Shelby, I want you to make a sports car out of the Mustang,' the first thing I said was, 'Lee, you can't make a race horse out of a mule. I don't want to do it.' He said, 'I didn't ask you to make it; you work for me.'
I think it's one of the nicest privileges as an actor is to know that you can move people in one moment, make them think about their lives, or make them laugh or make them cry or make them understand something. Or just make them feel something because I think so many of us, including myself, spend too much time not feeling enough, you know?
The only part of an argument that really matters is what we think of the people arguing. X claims a, Y claims b. They make arguments to support their claims with any number of points. But when their listeners remember the discussion, what matters is simply that X believes a and Y believes b. People then form their judgment on what they think of X and Y.
No one believes more firmly than Comrade Napoleon that all animals are equal. He would be only too happy to let you make your decisions for yourselves. But sometimes you might make the wrong decisions, comrades, and then where should we be?
John Wilkes Booth and Lee Harvey Oswald meet in hell and team up to assassinate Satan.
You have to understand that every negotiation isn't about taking everything off the table. It's cliche, but you have to try and make sure the other side feels good and you feel good. Because in my business, when I make a deal, it just means once we're done negotiating, we have to go off and work together.
When I make a movie, I just make the movie. I don't think about the success of it. If it becomes successful, that's an amazing treat. If it doesn't, you had a great time making it and you learned from it, and then you make a new thing.
I think having simplicity doesn't always mean that you make a good movie. I have a theory that a movie that's easy to make is hard to watch.
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