A Quote by Steven Soderbergh
I like to know where I am. I don't like the kind of cutting where you don't know where you are.
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[I watch] Fincher, Spielberg, Cameron, McTiernan. Just people who are good at staging action. I like to know where I am. I don't like the kind of cutting where you don't know where you are.
I've always been the type of person - you know, I kind of am extreme. So you know, I'm not, like, oh, let me get one tattoo. It's, like, my old whole arm has to be covered.
I've always been the type of person - you know, I kind of am extreme. So you know, I'm not like, 'Oh, let me get one tattoo.' It's, like, my old whole arm has to be covered.
The surface below your feet is so special. It is not like a boxing ring, not like a wrestling mat, it's its own thing, and when I am there, I am floating, I am moving with total freedom, I am free. And when you know, when you just know you are going to win, like I do, there is no better feeling.
You know, rap is sort of like a form of talking, right? So it's like you can hear, you know, the slaves doing it. You can hear, like, you know, Africans and Jamaicans doing it just kind of as, like, a rhythmic, poetic conversation, you know, to a rhythm.
You do find a lot of your time in the West kind of searching for your place in the world - your voice, your identity, like, who am I? Like, what is my reason for being here, you know? And in that same way who am I to be partnered with, you know?
I know what it's like to be hungry. I know what it's like to be homeless. I know what it's like to have to choose between breaking the law and feeding yourself. I know what it's like to take meals at shelters and at Salvation Army facilities. I know what it's like to beg for money on the streets.
The whole entire album is about Cry Baby, you know, being super insecure and kind of like going through her emotions until she finally realizes that she's comfortable with how crazy and insane she is and I think that I've made the exact same kind of progression , and the growth...and I don't know, like I feel like I've definitely grown into who I am and, like, I think Cry Baby is just me.
I've seen a lot of political violence in my life. I know what it looks like. I know what it smells like. I know what motivates young men to do it. I've talked to them about it. I know what victims feel like, you know? I know the abominable effect it has on politics. I know how intractable it is.
'Griot' is a French word which means, you know, really, literally, 'cry.' You know, like the town crier. You know, they come in and say, you know, 'It's nine o'clock; everything is cool.' You know, 'President Bush is a fool.' I mean, stuff like that just to tell you. But for the kind of, the African thing is called djali.
I decided to grow my hair out during college, and it's kind of stuck ever since. Even when I thought about cutting it or trimming it, common sense kicks in, and I don't think the fans would recognize me; people wouldn't know who I am. It would almost be like Santa Claus losing his powers.
I had identified discipline as a really important part of my life, in maintaining my sanity. It's kind of interesting when people don't know me and then get to know me and see just how workaholic I am and how unhappy I am when I don't have something to work on, or if I am not provided with the tools to be able to accomplish those things, like touring without my looping rig or without a piano, I'm just kind of like, 'Aahhh, what do I do with my day?' To me, that's just a large part of my sanity.
The Lampoon was definitely quite formative. You know there's a crazy like kind of network of comedy writers from The Lampoon that are, that kind of you know like Seinfeld and The Simpsons and a lot of shows kind of had a lot of kind of Lampoon writers and so that was very formative. I mean, to me I got interested in comedy writing at an early like reading like Dave Barry.
I would. I'm just too, I'm kind of, a pussy, I guess. That's the problem. But, no, I'd love to. I think everybody should do open mics. I think it's very healthy for your soul. So yeah, I'd love to do it again, but I don't know. It's like I'm cutting a record if I do open mic now, so, I don't know.
There's that saying, "I don't know art, but I know what I like." The inverse is kind of true. I know art, but I don't know what I like. You get so immersed in it that nothing appeals to you.
What's love? Something that lasts a week or a month and that's all you can except? Or is it just that some loves have a short shelf life? You know, like yogurt: after a week or two they go bad. And how do you recognize the other kind of love, the kind that isn't like yogurt? The kind that's more like... I don't know, like peanut butter, that lasts forever and always tastes good?
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