A Quote by Steven Soderbergh
The key is, if you're not monkeying around with the script, then everything usually goes pretty well.
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The key is, if youre not monkeying around with the script, then everything usually goes pretty well.
I use improvisation as a writing tool to help produce material that goes into a script, but a well-crafted script shouldn't sound scripted, and oftentimes people confuse something that looks like improvisation for what is actually a very well-written script that is well-acted.
Somebody is always reflectively monkeying with some of the parts of an infinite universe - monkeying as distinct from aping.
The script is really always the main attraction, and then there's whether there is an interesting character and great people around you. Those are the key elements that I look for.
I don't believe in technological determinism, especially not in biology and medicine. We have strong laws to keep doctors from monkeying around with humans that will remain in place. It's simply not true that everything that is technologically possible gets done.
The most basic organizing principle was pretty straightforward, and is frankly pretty common: the shorter of what are by my lights the two most engaging stories goes first, the longer of the two goes at the end, and everything else goes in the middle.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
I'm just an actor. It's the way the script is written, and it's easy. I don't have think about it. When you receive the script, you know pretty well how to play it, apart from little technicalities like the accent.
Your mind just goes to the craziest idea to lure people into the theater, and then you write your script around those elements.
Some people revel in getting their hands dirty. These are the people that make startups grow wildly. People with hustle also tend to be much more agile - they're the water that goes around the rock. These are the people you want around when everything goes wrong. They're also the people you want beside you when everything goes right.
The script is always the main preparation for me. Sometimes you have a period piece where you have to research around it, but if the writers have done their homework well enough, the information is all in the script.
To get anything done, you used to have to brush past, or at least lay eyes on, someone whose reality was totally different from your own. That used to be inevitable. If that goes away because everything's so convenient, everything's brought to you, well, then there goes one of my favorite parts of life, and something that I've gone out of my way to court.
Certain movies like 'Wag The Dog,' we used improv on every scene that we did. Pretty much, we would shoot from the script and then some stuff that we came up with in rehearsal, and then we'd have at least one or two takes where we completely went off the script and just flew by the seat of our pants.
I mean, we sit around and we go, you know, 'Torture doesn't work.' Well, it's been around for 5,000 years. Most stuff that doesn't work goes the way of the dodo pretty quick, like waterbeds and 8-tracks and things like that.
I think the script is the key. Regardless of how great everybody else is working on a film, if you're working on a script that you don't think is great, you're not gonna be able to make a great film. Whereas if the script is great, then you can.
Leadership consists of nothing but taking responsibility for everything that goes wrong and giving your subordinates credit for everything that goes well.
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