A Quote by Steven Soderbergh

Another thing that really excites me: I'd like to do multiple versions of the same film. — © Steven Soderbergh
Another thing that really excites me: I'd like to do multiple versions of the same film.
I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.
If you're making a film, you've got to have one eye to the audience and one eye to what excites you about it, and sometimes it's not the same thing.
The biggest misconception about me is perhaps that I film all the time and film everything randomly. The truth is I film very little and always when something excites me and seems to mean something for the film.
'The Thing from Another World' was the first movie that really scared me. But the one that made me want to make movies was 'The Tales of Hoffman.' That's my favorite film of all time. It's a fantasy film. It's an opera. I never get tired of it.
I really think the human experience is very similar for everyone; we're all doing slightly different versions of the same thing.
I like to make films because I like to go into another world. I like to get lost in another world. And film to me is a magical medium that makes you dream... allows you to dream in the dark. It's just a fantastic thing, to get lost inside the world of film.
After 'Rock On!,' when I started acting, and I sang in the film, people asked me, 'What was the need to sing in your film?' and things like that. I really don't have an answer for it. In terms of what made me do it? It just felt like the right thing to do.
Watching a really good movie excites me, because it makes we want to get up off the couch and go shoot something and act in a scene. And music excites me because it puts me in a mind state, whatever that may be.
If you do two versions of a film, they should be identical. With the same frames and settings.
We always talked about the sequel to 'Clown' being called 'Clowns,' like an 'Alien'/'Aliens' sorta thing, where you have multiple clowns. And just really make it, in the way that 'Aliens' was an action movie, do the same thing. Action-horror. That would be great.
As actors, the magic is in the almost spiritual experience to really enter another world, to really enter a belief of being in another person's shoes and to really take on their experiences as someone else has written them and imagined them. It's kind of a sacred thing. It's a very spiritual experience. That in itself for me is the main thing that keeps me coming back to it. I like to travel, but for me, this is the greatest travel.
If you don't like a film or do a film out of obligation in a comfortable zone, it would be very painful, but when you do something with passion, interest, and belief in it, it excites you.
'Race' is one of the most successful film franchises in Bollywood. So I was really excited and honoured on being approached for the film. But since I was already committed to another film during the same time as the makers are planning to shoot 'Race 3,' things eventually didn't work out, unfortunately.
Film is a narrative format. Some fashion films try to retain some of the poetic mystery, but most of the time they only end up looking like some crappy, pretentious film-school thing. So I think the interest in film is really about the fashion world finding another form of expression.
If companies are able to have multiple revenue streams and have their hands in multiple pools of money, then why shouldn't the people who actually work for those brands be able to do the exact same thing?
The fun thing about writing a book with multiple paths and multiple endings is you really get to explore the characters and figure out their different fates.
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