I used to run with Chris Nolan before he was 'Chris Nolan.' I remember when he was trying to sell 'Memento,' and he just couldn't.
When I did 'Memento,' independent film was where all the really good stuff was.
I was a screenwriting major at Georgetown, and I was in class with some really strong writers like Jonathan Nolan, who co-wrote 'The Dark Knight' with Chris, his brother. He wrote 'The Prestige,' the story for 'Memento.'
The atmosphere and the environment that you get on a Chris Nolan film that he and Emma [Tomson] create is one where you feel very safe and very confident and able to experiment with characters. It's a great place to be as an actor.
That film Memento creeped me out. I was looking over my back through the whole thing. I get more creeped out than scared, and spill popcorn all over the place.
That film 'Memento' creeped me out. I was looking over my back through the whole thing. I get more creeped out than scared and spill popcorn all over the place.
All in all, I'd like to venture into film. Films are my staple diet, so I would love to be part of a feature film, independent film... it all just depends on the story and the people behind it, really.
I think that I'm a pretty great producer, but the vision behind Batman is Chris Nolan. I'm there to do my best to help execute that vision, and I think I do a really good job, but the vision is Chris Nolan.
There was a golden era in film-making in Hollywood back in the 1970s, and although there is some great independent film-making in America, it's actually very hard to get independent films made in the United States. It's much more feasible from Europe.
I want to do more independent film. I'm blessed to be working on really quality episodic television, which to me actually feels like a sort of 13-hour film.
I've always felt that an independent film is a film that almost doesn't get made.
To be honest, you have to do a big Hollywood film to get enough money to do a good independent film!
It's a unique experience when you're doing an independent film where you have one person who puts up all the funds to make the film.
Chris Cooper once told me to never have any regrets. After Chris said that to me, I walk into every scene thinking, 'exhaust every possibility.' Once you get to a certain place, it's like you just deliver everything you've got. Don't have any regrets. It pops up in my mind over and over and over again.
I was obsessed with Batman as a kid. I did the film in part just to be near the Batmobile. But I also think [director] Christopher Nolan made a very fine, intelligent film.
When you're making an independent film, it's like this actor plus this actor equals this funding, this financing. Pull this actor out, this actor is still here but this money's gone. It's this frightening puzzle mosaic that is the world of independent film.