A Quote by Steven Spielberg
Movies are always in a state of locomotion. You start with a general idea of how it should feel and then you find you've got a runaway train. You have to race to catch up: the movie is telling you what it wants to become, and when that happens there's no greater feeling.
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Go through the moral demands...one by one and you will find that man could not live up to them; the intention is not that he should become more moral, but that he should feel as sinful as possible. If man had failed to find this feeling pleasant - why should he have engendered such an idea and adhered to it for so long?... Man was by every means to be made sinful and thereby become excited, animated, enlivened in general. To excite, animate, enliven at any price.
It's not always a conscious thing - I've never been that artist to come to the recording session with a concept of an album; I am a lot more intuitive. I usually start with the music and try to catch a feeling, a gut feeling. And then you need to do interviews and explain yourself more, in words. But during the process it's really about the gut feeling, and it's hard to explain. You're trying to find those moods that make you feel something, I guess.
I believe when you say you're going to start a race at 2 p.m. then you should stick to that and start the race at 2 p.m. There's no maybe, could be or should be. You start the race on time. It's very simple.
If you walk out of a movie that's meant to be about race in our country, and you're feeling good and happy, then that movie didn't tell you all of the truth. It's too big of an issue, and it's too complicated for you to feel good. It's something you should feel like you need to talk about.
I think we make the movies, initially, with the one movie in mind. But we do love the characters, and so we kind of miss the characters when the movie is over. But I think what happens is, every now and then you realize there's more to tell, or an idea comes up.
If someone wants to start a business but they don't have an idea that they are specifically passionate about, then it may not be the right time for them to start it. Instead, they should work with someone else who is doing something they care about in the meantime until an idea comes up.
Now when you meditate, try to meditate in a sustained way, first of all sustain it. Then you find that you are getting into the state of Samadhi, means at a state where you start feeling the joy and the bliss of God's blessings, and then you start saying "O God, what a blessing, what a blessing, and what a blessing". Once you have reached that state then you have to realize "Who am I". Who are you? What are you? You are the Spirit. After establishing your sustained attention on the Spirit you'll develop a state where you'll be in a complete state of witnessing with joy.
I've ended up as a filmmaker who really loves the movie part of movies. That time in my life was a big influence on the kind of movies that I ended up making. I always think I'm going to make a movie that's gritty and real, but then I make a movie that's like an opera. I fight it at first and then that's just the way it is.
It's about being in a race with time - just having a strong sense of mortality, and the idea of, How much time do you have left? How do you want to spend it? What I always come up with is: keep on writing, keep on working. But you can become sterile. It's become a matter of trying to find inspiration someplace outside of my own head, which I've been using exclusively for too long.
I have to listen to my body - and it's telling me not to run long distances. So how do you train for a race when you know you won't have the same result as before? And should you even join if you know you can't run the whole race? Absolutely - just run-walk it.
It was like the classic scene in the movies where one lover is on the train and one is on the platform and the train starts to pull away, and the lover on the platform begins to trot along and then jog and then sprint and then gives up altogether as the train speeds irrevocably off. Except in this case I was all the parts: I was the lover on the platform, I was the lover on the train. And I was also the train.
I think Superman's journey is to become comfortable on earth. Of course he's got his role as earth's greatest protector but he also wants to be as happy as he can and if that happens to be with Lois then he's going to find a way.
Ohio went on alert Tuesday when a train with hazardous chemicals ran wild through the state. A brave engineer leaped aboard and brought the runaway train under control. Sounds like we've found our next FBI Director.
Notice how every science fiction movie or television show starts with a shot of the location where the story is about to occur. Movies that take place in outer space always start with a shot of stars and a starship. Movies that take place on another world always start with a shot of that planet. This is to let you know where you are. Novels and stories start the same way. You have to give the reader a sense of where he is and what's happening as quickly as possible. You don't want to start the story by confusing the reader.
The State is the curse of the individual... The State must go! That will be a revolution which will find me on its side. Undermine the idea of the State, set up in its place spontaneous action, and the idea that spiritual relationship is the only thing that makes for unity, and you will start the elements of a liberty which will be something worth possessing.
I loved working in stand-up, and I always dreamed that I could make a movie about it. I didn't know if I would have the courage to, because if you make a bad movie about stand-up, then comedians will mock you for the rest of your life. They're still mad about movies made 25 years ago. But it was always a dream of mine, and I was glad I finally came up with an idea that allowed me to explore it in such a way that it's not all about stand-up, but stand-up creates a great backdrop for another type of story.
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