A Quote by Steven Spielberg

I wouldn't have filmed The Color Purple if the book had been a big fat novel. The reason I read it is because it is thin. — © Steven Spielberg
I wouldn't have filmed The Color Purple if the book had been a big fat novel. The reason I read it is because it is thin.
Always been purple. Like I remember being in the first grade, looking up at the color charts, and saying, 'Man, purple is the best color, man, it's the best color, it just is the best color.' I have a lot of purple shirts and stuff, I'm always wearing purple.
Purple has always been my favorite color... but purple, when I was a little kid, was a color that boys weren't really allowed to wear. That's what all the kids at school told me. I filled my wardrobe with as much purple as I could possibly find, because who cares? Life's too short to dress by other people's rules.
I read everything. I'll read a John Grisham novel, I'll sit and read a whole book of poems by Maya Angelou, or I'll just read some Mary Oliver - this is a book that was given to me for Christmas. No particular genre. And I read in French, and I read in German, and I read in English. I love to see how other people use language.
Purple is my favorite color. It makes me think of spring and summer. A purple dress, eating grapes, lilacs - I love purple.
I first heard the term "meta-novel" at a writer's conference in Tulsa, Oklahoma. The idea is that even though each book in a series stands alone, when read collectively they form one big ongoing novel about the main character. Each book represents its own arc: in book one of the series we meet the character and establish a meta-goal that will carry him through further books, in book two that meta-goal is tested, in book three - you get the picture.
I had the great idea of using markers to gently color the ants so I could tell them apart, but I learned that this is exactly like somebody trying to gently color on you with a thirty-story building. Without dwelling on the tragedy, I'd just like to say that I'm deeply sorry to Mr. Purple and the surviving Purple family.
The novel and the film of 'The Color Purple' are both works of the imagination that make claim to historical truth.
You buy any book on color theory today, and it's just complete poppycock. Everybody comes out of school painting pink, purple and green. The whole damn cartoon industry has pink purple and green on their mind.
Certain readers will read my book not because they are interested in Iraq, but because they read crime fiction. I did want to get beyond just speaking to other Middle East scholars, so I'm happy about that. But this was, nonetheless, a novel I wish I got to read in Arabic and translate.
I just love the color purple on me, because it goes really well with my eye color.
We have so many people who can't see a fat man standing beside a thin one without coming to the conclusion that the fat man got that way by taking advantage of the thin one!
I stay fat because it just wouldn't be fair to all the thin people if I were this good-looking, intelligent, funny, and thin. It's a public service really.
I read a blog about this young filmmaker in the Philippines who made a short film, and one of the characters in the film reads my novel and then starts discussing the novel with someone. The idea that my book can inspire another artist and be part of that other artist's work... that's the reason I write.
I like purple too. I looked up color psychology before doing any house painting, because I was curious what the colors I like mean. And purple is very royal and creative.
When I was thin, I had no notion of what being fat is like. When I worked in a department store, I had sold clothes to women of most sizes, so I should have known; but perhaps you have to experience the state from the inside, to understand what fat is like.
I've read a lot of books on the laws of attraction, and in my home I have a big book on Muhammad Ali, which I've read, because he is like a hero of mine, but other than that, no, I'm not a big reader.
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