A Quote by Steven Spielberg
It starts with the writer-it's a familiar dictum, but somehow it keeps getting forgotten along the way. No film-maker, irrespective of his electronic bag of tricks, can ever afford to forget his commitment to the written word.
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Every garden-maker should be an artist along his own lines. That is the only possible way to create a garden, irrespective of size or wealth.
No form of art repeats or imitates successfully all that can be said by another; the writer conveys his experience of life along a channel of communication closed to painter, mathematician, musician, film-maker.
We're all so clogged with dead ideas passed from generation to generation that even the best of us don't know the way out We invented the Revolution but we don't know how to run it Look everyone wants to keep something from the past a souvenir of the old regime This man decides to keep a painting This one keeps his mistress He [ pointing ] keeps his garden He [ pointing ] keeps his estate He keeps his country house He keeps his factories This man couldn't part with his shipyards This one kept his army and that one keeps his king
When the Warrior takes on a commitment, he keeps his word.
Neal Stephenson handles exposition better than anybody else. I keep trying to learn his tricks, but every time I duck into his pages, I get lost in the stories all over again and forget that I'm a writer.
It's not a film-maker's job to explain his technique, but to tell his story the best way he can.
The writer must be a participant in the scene... like a film director who writes his own scripts, does his own camera work, and somehow manages to film himself in action, as the protagonist or at least the main character.
There's a really nice moment in the life of a piece of writing where the writer starts to get a feeling of it outgrowing him - or he starts to see it having a life of its own that doesn't have anything to do with his ego or his desire to 'be a good writer.'
There's a really nice moment in the life of a piece of writing where the writer starts to get a feeling of it outgrowing him - or he starts to see it having a life of its own that doesn't have anything to do with his ego or his desire to 'be a good writer'.
There's a documentary film-maker called Werner Herzog, who's a German film-maker. I really dig his stuff, I'd love to chat with him.
A writer is a maker, not a man of action: his private life is of no concern to anybody but himself, his family and his friends.
When we forgive someone, we do not forget the hurtful act, as if forgetting came along with the forgiveness package, the way strings come with a violin. Begin with the basics. If you forget, you will not forgive at all. You can never forgive people for things you have forgotten about. You need to forgive precisely because you have not forgotten what someone did; your memory keeps the pain alive long after the hurt has stopped. Remembering is the storage of pain. It is why you need to be healed in the first place.
"God loves all his children" is somehow forgotten
But we paraphrase a book written thirty-five hundred years ago.
God has matured. He is not the impulsive, bowelless being of the Testaments - the vehement glorymonger, with His bag of cheap carny tricks and his booming voice - the fiery huckster with his burning bushes and his wonder wands. Nowadays God knows what He wants and He knows who He wants.
Every writer, by the way he uses the language, reveals something of his spirit, his habits, his capacities, his bias....Avoid the elaborate, the pretentious, the coy, and the cute. Do not be tempted by a twenty-dollar word when there is a ten-center handy, ready and able.
No man of honor, as the word is usually understood, did ever pretend that his honor obliged him to be chaste or temperate, to pay his creditors, to be useful to his country, to do good to mankind, to endeavor to be wise or learned, to regard his word, his promise, or his oath.
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