A Quote by Steven Spielberg
Tracking action without cutting is the least jarring method of placing the audience into a real-time experience where they are the ones making the subtle choices of where and when to look.
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When you're watching yourself work, you're not really an audience member for yourself. Even being confronted by your own image can be jarring sometimes. The experience of making a movie or a television show is this really full one, and sometimes you see it and even if it's a great piece of work, it's not the experience - i t's almost sad because it reminds you of something that isn't anymore.
I feel like I'm getting closer and closer to myself with time, not only in terms of my career choices, but the choices I make within one role or performance. I used to compose characters that were farther from me, but I find now that I like to craft a subtle composition, a subtle change in your essence.
I love making characters real and believable, through my own experience and choices.
If we have to know without a doubt that the choices we are making are the perfect ones, we risk never making any choices at all.
Direct action against the authority in the shop, direct action against the authority of the law, direct action against the invasive, meddlesome authority of our moral code, is the logical, consistent method of Anarchism. Will it not lead to a revolution? Indeed, it will. No real social change has ever come without a revolution. People are either not familiar with their history, or they have not yet learned that revolution is but thought carried into action.
You need to be uncomfortable and apprehensive: True strategy is about placing bets and making hard choices. The objective is not to eliminate risk but to increase the odds of success.
One of my favorite things about the Kung Fu Panda 3 is the look of it. We never go for realism. I think a lot of time when people go for 3D that's the mistake. Because we're never going for full realism - for computer generated live action films like Avatar the goal is realism, to make the audience feel like they are seeing something that is real. Lord of the Rings had character design and environments to make it look real, whereas we aren't going for that, we are going for something that is theatrically, viscerally, and emotionally real.
I had the unique experience the next day: placing sixteen bolts in a row. It was just blank and there was no way around. But it was a route worth bolting for, and after a time I began to take an almost perverse joy in it, or at least in doing a good job.
Spies cannot be usefully employed without a certain intuitive sagacity; They cannot be properly managed without benevolence and straightforwardness; Without subtle ingenuity of mind, one cannot make certain of the truth of their reports; Be subtle! be subtle! and use your spies for every kind of warfare; If a secret piece of news is divulged by a spy before the time is ripe, he must be put to death together with the man to whom the secret was told.
The real danger is not inaction. The real danger is when politicians and CEOs are making it look like action is happening when in fact nothing is being done.
We're actually making not one but 30 choices at a time: Our mind is making a choice. Our heart's making choices.
True strategy is about placing bets and making hard choices under conditions of uncertainty, not about assuming plans can remove risk.
The action genre is kind of designed for a young male audience. But we found on 'The Matrix' that we hit the Valhalla of movie making, which is the four quadrant audience - the young male audience, the older male audience, the young female audience and the older female audience.
The first step in making better choices is to simply be brutally honest about your own behavior to yourself. What are the choices you are making? How are you spending your time? What are you neglecting that you shouldn't?
Whether I'm acting or making it, at the end of the day it's telling the story; action, drama. You want the audience to feel it - the story, the action, the scene, or a particular shot. I just keep working on crafting my art, on how to make action movies.
Truly compassionate action arises spontaneously without thought and is carried out in real action with no anticipation of reward and, indeed, no concept of a doer of that action.
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