A Quote by Steven Spielberg
A lot of the films I've made probably could have worked just as well 50 years ago, and that's just because I have a lot of old-fashion values.
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Because of Walter, we did it the other way around. We also worked with an awesome sound designer named Will Patterson who just worked for four years on Terrence Malick's films. He did a lot of conceptual work to make the soundscapes in the jungle have this surreal quality, to blend these two films because a lot of the images are about this parallelism between the movies. The sound was very integral to fusing everything.
It's really interesting because 50 years ago, if you didn't wear a hat everyone looked at you. It just proves that everything is fashion.
I may seem to have worn a lot of tights in films, but actually, those are just the films that have been most visible or worked best. I have worn jeans a lot, too, but those ones haven't tended to work so well.
I have no idea other than where my readers are located, roughly. They could be 12. They could be 50. I just haven't a clue. I'm hoping my readership is a little wider and broad than what the typical fashion blog gets. I have received emails from a 50-year-old lady in Tel Aviv who says I have revived her passion for fashion.
Religious insights and values are just as important today as they were 50 or 100 years ago.
A lot of guys have made it from a lot of different places, and not necessarily because they had parents with great genes. They worked really hard, and they used the resources they had as well as they could.
Speaking of WAMU, [bluegrass and old time music DJ] Ray Davis did a lot of work there. I've know Ray, I guess for 50 years - 40, or 50 years. And, he plays a lot of my records.
We have made a huge amount of progress over the last 50 years by enabling trade, by enabling kind of collaboration and learning. And actually, in fact, when you look at your average 30-year-old today, they're much better off than a 30-year-old 20 years ago, 30 years ago, because of progress in technology and health care and all the rest of this.
I suppose it's nice that I've made films that some people have heard of and respect. That's great. And it's certainly helpful in some regards, but they're really tough economic prospects. They always have been, and that's not necessarily getting any better. And not just the films, but it's also been a rough 10 years for that independent film market. And so I have stumbled onto this point in the timeline where the kind of stuff that I'm trying to do is not... it was a lot easier to know what to do with it 20 years ago.
I just essentially stayed at home for three years and just learned to play as many instruments as I could and listened to as many singers as I could. Like, when I got to about 19/20, I started listening to singers. I normally just listened to bands. Now I listen to a lot of old singers, not a lot of new stuff.
What parents and teachers and caregivers did with me that actually worked and a lot of that was the old fashion 50s upbringing. They just gave the instruction when I did something wrong - life was more structured. So basically it's [my work] based on experiences with me that worked and it was teachers and parents that made me have those experiences.
I find personally that when I go to a place where I can't get in, I feel hostility from whatever it is, a hotel, a shop, a market, a street corner where there are no curb cuts, because somebody forgot to put them in, and where I have to go two blocks to the corner to do it. A lot of the excuses are, "Well, this is an old building." That's my favorite one. "This is an old building." It's as though 50 years ago, people with disabilities did not exist. As if the disabled are a new problem. It has always been a problem.
I got a gerontology certificate a million years ago along with my law degree, so I've been interested in older people for many years. Some people grow up with a lot of kids around, but I just grew up with a lot of old people.
[Russel Crowe] has been through a lot and had a lot of success. No one knew who he was when I worked with him 12 years ago. He's just come off a great film in Australia- Romper Stomper - and so it was good to see him again. Obviously, I'd seen him since.
As the population is, in general, aging, there is more interest in what a 50-year-old, a 60-year-old, a 70-year-old, an 80-year-old is like. And one of the things that just naturally started to happen as I got older - and I could feel younger people looking up to me in a certain way and wanting to know things that I knew - I got interested in the women, in particular, who were 20 years older than me. Because I understand in a way that I didn't 20, 30 years ago, how much they know.
I worked in fashion, but I worked more in the sales side of fashion than in design. I was an assistant buyer for a department store back in the '70s and the early years of Saint Laurent. And I used to have a lot of private clients that I bought for.
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