A Quote by Steven Spielberg
One of the gratuities about being a director is that you can volunteer yourself out of difficult details.
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There was a choice of being a director who's more familiar with the technicality of doing a movie, like learning about the camera and filters and setup, or being a director who can actually talk to actors. And I always wanted to be an actor's director.
Sit and quiet yourself. Luxuriate in a certain memory and the details will come. Let the images flow. You'll be amazed at what will come out on paper. I'm still learning what it is about the past that I want to write. I don't worry about it. It will emerge. It will insist on being told.
What I find difficult about photo shoots is the line between playing a character - you're being asked by the photographer to take on a role like you would in a movie - and being a fancier version of yourself. It's about finding that line between being spontaneous and open to direction, but also trying to explain to photographers that the "me" is often taken out of context because it has all of this other stuff attached to it.
Do something about your life now. You know you are sick and tired of being sick and tired. Don't just think about it, look at it, and complain about it to whoever will listen. Stop conning yourself into being a volunteer victim, or telling the same old story. You are better than that. It's time to stand up for yourself and your dream. This is the one and only life that you have. Don't waste it watching someone's life - on tv, in a movie, a series or reality show. Take your power back and make a move. Live your life on your terms, and create something new in your life. You Deserve!
Stepping out of the director's chair completely and into a scene as an actor was weird. It was more excitement about directing than anything, but I was on a high from being a director and enjoying that process so much that going back to being an actor was almost secondary because I really was loving directing.
In Hong Kong, in our generation that started out in the 1970s, being a director wasn't a big deal. We didn't even have director's chairs. We weren't particularly well paid. The social standing of a film director wasn't that high. It was a sort of a plebeian job, a second or third grade one. And the studio heads are always practical, there's never any fawning because someone is a director. There's very little snobbery about one's position as a director. The only ones people treated differently were those that were also stars; or the directors who also owned their companies.
When you're going though a difficult time, forget about yourself for a while. Go do something for someone else. This is the fastest way to pull yourself out of a negative state.
When you write, you're always revealing a difficult part of yourself. It may not be a part of yourself that looks as difficult - there are parts that look more difficult - but in fact, they are all difficult, and you get kind of used to doing that. It is sort of the nature of the thing.
To be a great director, what does it mean exactly? It's not only about a great director, but also about being able to rely on the very special chemistry that goes between them. It not only has to be a great director, but the great director has to make his relationship to you, the actor, very special.
I hope that in another way we can move the need to say, instead of being a Black director, or a woman director, or a French director that I'm just a director.
The marathon's about being in contention over the last 10K. That's when it's about what you have in your core. You have run all the strength, all the superficial fitness out of yourself, and it really comes down to what's left inside you. To be able to draw deep and pull something out of yourself is one of the most tremendous things about the marathon.
Africans believe in something that is difficult to render in English. We call it ubuntu, botho. It means the essence of being human. You know when it is there and when it is absent. It speaks about humaneness, gentleness, hospitality, putting yourself out on behalf of others, being vulnerable. It embraces compassion and toughness. It recognizes that my humanity is bound up in yours, for we can only be human together.
With 'Moreau,' it's been particularly confusing because I started out being the writer of the screenplay and then trying to be the director, then being moved from being the director and having to become the dog extra, it makes some kind of sense to suddenly become a character in the story.
I have always believed that if you need to take your clothes off to get your man, you've begun to lose the battle. If you pull it off right, you can do it in a very classy way... Being sexy is about suggestion; it's about the tease. It's not about being obvious and forcing yourself out in the open. That takes all the fun out of being a woman.
I am a board member and the volunteer director of medical and scientific content for Less Cancer.
As a director, you have a thousand things going on in your head, and of course, that's going to be difficult. That's going to mean that some things get overlooked. And so, for us as performers, being the selfish pricks that we are, we're sitting there being concerned about ourselves all the time and our character's through-line.
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