A Quote by Steven Spielberg
I usually do about five cuts as a director. I haven't ever directed a film where I haven't made five passes through the movie, and that takes a long time.
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All my cuts are always about three hours, at the start, mainly because any scene in the movie that's 90 seconds, I probably shot a five-minute version of. If you just extrapolate that through the whole movie, I have a very long version of every scene, usually because, if there's one funny joke, I'll shoot five because I don't know if the one I like is going to work. I'll get back-ups because my biggest fear is to be in previews, testing the movie, and a joke doesn't work, but I have no way to fix it because I have no other line.
It's hard for me to approach [a film] as a still image now that I know exactly what it takes to make a movie. I mean, I know what it takes to make a movie that lasts five minutes.
Five is for five heartbeats, the length of time it takes to breathe in or out. For that is how quickly a life may change, for better or for ill. The time it takes to make up, or change, your mind.
Seventy-five years. That's how much time you get if you're lucky. Seventy-five years. Seventy-five winters, seventy-five springtimes, seventy-five summers, and seventy-five autumns. When you look at it like that, it's not a lot of time, is it? Don't waste them. Get your head out of the rat race and forget about the superficial things that pre-occupy your existence and get back to what's important now.
It does not feel any different being directed by a first-timer as long as I am convinced that the director is passionate about the film he or she is making. If you get a sense of their vision for the film and their aesthetics of your performance, then it does not matter whether you work with a new or an experienced director.
It takes me a long time writing books. It takes me about five years to write a book, and when I'm done, the last thing I want to do is to do it again.
My hat's off to documentary filmmakers. I don't know if I'm ever going back to it. You're treated like a second-class citizen at most film festivals. You take the bus while everybody else is flown first-class. If you're a feature film director, you're put in a five-star hotel, and if you're a documentary director, you stay in a Motel 6.
Filmmaking is not about gender. You cannot ask a president in a festival like Cannes to have, like, five movies directed by women and five by men.
We made 'Mickey and the Bear' with barely any money with a first-time director, a first-time director of photography, and a crew who had just graduated from NYU film school. We were all very much in this together for the first time. There's no famous actor or big explosions. It's not a Marvel movie. I thought nobody was going to see this film.
You can have a movie with hardly any cuts, or very few cuts, that is fascinating, you can't take your eyes away from it... Look at some of the long takes in Citizen Kane.
People sometimes say it takes a long time to become a jazz fan, but for me it took about five seconds.
You can act in five, six, or seven films in the time it takes to direct one film.
I don't believe in director's cuts and I also don't really believe in deleted scenes because the movie that is in theaters, that's what the director made.
Given that most movies are bad, and that there are whole categories and sub-categories of badness - the sequel, the Madonna Movie, the Friday 13th Series, or Movies Starring John Travolta Before Pulp Fiction - it is almost impossible to choose a single film for worst movie of all time. But strangely, I do have a nomination and I believe it is actually the worst movie ever made. It is Boxing Helena. The director is David Lynch's daughter, and the film comes with the almost insane-making faults that the family connection might imply.
I take it that's where you met Todd.' 'Yep. Almost five years ago. Can you believe it?' 'Five years! You and Todd should be the poster couple for the 'Love Waits' campaign.' Christy laughed. 'It didn't seem that long. A lot has happened during those five years. But I do agree that true love is worth the wait. I'd wait another five years for Todd if I had to. He's the only man for me. Ever.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
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