A Quote by Steven Spielberg

'The Color Purple' is the kind of character piece that a director like Sidney Lumet could do brilliantly with one hand tied behind his back. — © Steven Spielberg
'The Color Purple' is the kind of character piece that a director like Sidney Lumet could do brilliantly with one hand tied behind his back.
Alejandro Amenabar is a different kind of director than I lot of the directors I've asked for. He really asks you to enter his dream as opposed to, you know, a guy like Sidney Lumet or something is going to ask you to create a character almost like a documentary. He wants you to make the people really real and he's going to capture it like a documentarian.
Sidney Lumet is one of my favorite filmmakers. I feel like his approach to filmmaking was always so human. He was always making movies about the people. He wasn't about the tricks, you know what I mean? From 12 Angry Men on. Another film of his which I really, really love is Prince of the City, with Treat Williams, which is kind of a lost classic. Lumet is one of those film heroes that changed movies for everyone.
I was walking around with the babies so much that when I got to the Sidney Lumet picture, I would be on set in between takes and I'd be rocking back and forth. Just standing like this rocking back and forth, and Sidney would say, Why are you walking like that in between takes?
I know know why ... if something not broke, don't fix it. Twelve Angry Men was the perfect movie. The cast was just the best cast you could possibly get together. The director was Sidney Lumet, the best director around. So why they made the remake I don't know.
Always been purple. Like I remember being in the first grade, looking up at the color charts, and saying, 'Man, purple is the best color, man, it's the best color, it just is the best color.' I have a lot of purple shirts and stuff, I'm always wearing purple.
Sidney Poitier and Sidney Lumet were instrumental in helping me get started as the first black composer to get name credit for movie scores.
I approach 'Fast & Furious 6' the same way I would approach a Sidney Lumet film. Getting into character's getting into character.
Purple has always been my favorite color... but purple, when I was a little kid, was a color that boys weren't really allowed to wear. That's what all the kids at school told me. I filled my wardrobe with as much purple as I could possibly find, because who cares? Life's too short to dress by other people's rules.
I'd like to do what I see in my head. I always feel like I'm directing with one hand tied behind my back.
One hand was behind his back, and he held it out, presenting a bouquet of white and smoky purple lilies. "They're straight from the underworld, by the way. They are everlasting. They won't die."
I had the great idea of using markers to gently color the ants so I could tell them apart, but I learned that this is exactly like somebody trying to gently color on you with a thirty-story building. Without dwelling on the tragedy, I'd just like to say that I'm deeply sorry to Mr. Purple and the surviving Purple family.
I'm very proud of 'That Kind of Woman' with Sophia Loren, directed by Sidney Lumet, and I loved doing 'Gunman's Walk' because I finally got to play a bad guy.
When I became a director, I wanted to convince a very reluctant Sidney into allowing me to go on the journey of his life. Sidney had gone ahead of every other African American actor.
Bradley Cooper was an asshole, but he was - like Sidney Lumet, like George Clooney - the nicest guy in the world. I sound like the biggest ass-kisser ever. But I'm telling the truth, I swear to God!
I can still crack a safe with one hand tied behind my back. I'm not proud of it. But I was always against society.
They tied his arms behind his back to teach him how to swim, they put blood in his coffee and milk in his gin.
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