A Quote by Steven Spielberg
I was a scared kid... I think I was born a nervous wreck, and I think movies were one way to find a way transferring my own private horrors to everyone else's lives. It was less of an escape and more of an exorcism.
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I've pretty much always been on a diet since I was born. And the women in my family struggle, so I find the less I think about food, in a way, the happier I am. In general, I think I eat less the less I think about it.
I think that there's a natural attraction to enigmatic characters, people that have decided to make a decision in their lives to live differently than everyone else. That's a very attractive quality that also happens to be good for filmmaking, people that have their own point of view and aren't looking at things the same way as everyone else.
My sister's a musician. Everyone else in our family, it's either academics or artists of one kind or another. And those are the people that I think I like to hang out with, too. I think, you know, they're always interesting; they lead interesting lives, and I think they're important for everyone to read about because everyone is an artist in a way.
I'm sure that inside your heart... you're trying with all your might to find it on your own... the reason you were born. Because... because really... there might not be anyone who was born with a reason. I think that everyone... everyone might have to find one on their own. [in her head] A reason for being born... A reason that it's okay to be alive... A reason to exist. [aloud] I think everyone might have to find it themselves... and decide it for themselves. It could be your dreams... your job... or a person... The reason you're looking for... might be vague, unclear... and uncertain. [in her head] And you might lose it. [aloud] But as long as you're alive... you have to keep searching for that reason.
A kid now can practically record a song or edit a short film on his way to school. I think that will produce, perhaps, more less-interesting things - or you'll have to search more to find the interesting things. But I also think it's exciting.
Americans think cinema is about storytelling; I don't believe that. I think it's a language and everyone has to find their own way of speaking. It's not so much what you say as the way you say it.
We're a very success-driven culture, which is such a downer at times. Even if you don't think that way, you're forced to think that way. Everyone is trying to subconsciously out-do everyone else.
It all changed when I realized I'm not the only one on the planet who's scared. Everyone else is, too. I started asking people, Are you scared, too? You bet your sweet life I am. Aha, so that's the way it is for you, too. We were all in the same boat. That's probably what is so effective at our workshops. When I ask, Who else feels like this? the whole room of hands goes up. People realize they are not the only one who feels that way.
I think horror movies are still - this can be said of all movies - but being with a group of people scared together is more and more something unusual and fun. Especially for kids who are going out less generally.
Everyone has strange teenage years. It's not like I can claim some particularly unique set of high school horrors. I think I was just an awkward kid who never felt comfortable in his own skin. I think I was alone a lot by circumstance and then by choice.
I think I started to come into my own when I started doing more original material, and that, I think, culminated in 1998's Modern Cool. I insisted on going my own way. I think until you're more prolific, people don't trust that. So at first I think it was harder. They didn't know what to think, but as I continued along that path, they generally came my way.
I want kids to be able to escape failing schools that trap them. And it's an unequal trapping of children. The most affluent find a way to escape. They move to a great suburban district or send their kid to a private school. The people who are trapped in the worst schools that have been terrible often for half a century? Those are the poorest kids.
I think it's what we've always tried to do, is just find a unique way in, and find a unique way to be true to what the character is from the comics and what fans are aware of and expecting. And at the same time do it in a way that mainstream audiences and as wide an audience as possible can find their own way into it.
There was a commonality in a lot of the private school experiences that I had of children whose lives were not their own. They thought they were their own, but they were essentially gifted this life by their parents. So they were spending money; they were going on trips - I guess, in a way, it is their life, but they didn't earn it.
I think that it is everyone's obligation they owe to themselves and to their lives to figure out their own way up their own mountain.
America always seemed to me this foreign land that I imagined I could escape to if I needed to get away - and I think that came both from the fact that I was born there and from watching so many American movies when I was a kid.
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