A Quote by Stewart Lee

The idea of what's acceptable and what's shocking, that's where I investigate. I mean, you can't be on 'Top Gear,' where your only argument is that it's all just a joke and anyone who takes offence is an example of political correctness gone mad, and then not accept the counterbalance to that.
I just don't accept midgets as human beings. There's only so much political correctness I can accept.
I worry that we are approaching a time when that which is shocking is squeezed out by the Stalinism of political correctness.
If I'd done 'Top Gear,' I would have had to have left my job, and I've got the best job in the world. To do 'Top Gear' and do it properly would mean leaving work, and I can't. I don't want to leave work.
Now remember: When things look bad and it looks like you're not gonna make it, then you gotta get mean. I mean plumb mad-dog mean. 'Cause if you lose your head and give up then you neither live nor win. That's just the way it is.
If you're a conservative who thinks the culture wars are over (they're never really over, of course), then you are a lot more open to the idea of a unprincipled blowhard who promises he's got your back on political correctness.
I did a guest shot on a comedy series where they did 20 to 30 takes of everything. It's just gone by then. The joke is over. It's not funny anymore, and then of course, the editor's the one that has to figure out the timing. I think a lot depends on that.
Political correctness has changed everything. People forget that political correctness used to be called spastic gay talk.
As much as some people like to put down 'political correctness,' if it wasn't for political correctness, I wouldn't be free right now.
You don't always get to send your regards, or anything. You're just gone. That's the way it is. It's shocking and it's over and you're gone. That's the way you hear about people, isn't it? You just hear, 'They're gone. They're dead. You'll never see them again.'
Political correctness gets in the way of all too many things in this country of ours, I am not a subscriber of political correctness by any means, shape or form.
I mean, the great thing about being an actor is you can investigate parts of your brain that might have otherwise gone dormant.
James Brown is the perfect example of flashy but classy. Classy doesn't have to mean boring. His gear was flamboyant but without being so over the top. The cape was probably the biggest part of his persona. He looked like Superman.
The idea of the Overton Window of using people on the political fringe to change the terms of acceptable debate, that`s an idea that`s been hugely influential in conservative politics since Joseph P. Overton thought it up, making radical ideas seem acceptable by advocating for the unthinkable.
If you lose an argument it doesn't mean you change your mind but you have to accept the decision.
The argument that the two parties should represent opposed ideals and policies, one, perhaps, of the Right and the other of the Left, is a foolish idea acceptable only to doctrinaire and academic thinkers.
I felt no obligation to bow to any 21st Century political correctness. What I did feel an obligation to do was to take the 21stCentury viewers and physically transport them back to the ante bellum South in 1858, in Mississippi, and have them look at America for what it was back then. And I wanted it to be shocking.
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