A Quote by Stockwell Day
For some decades now, it seems, there has been a ukase in place in American journalism to the effect that Canada is entitled to one story per season.
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Once the Fugitive Slave Act took effect, the Northern states were no longer safe for those who managed to escape from being enslaved. The second season of Underground does explore Canada's role in providing a welcoming place for the thousands who were in danger of being captured and returned to their owners, and those who escaped by way of rerouting beyond the American borders.
I can't think in terms of journalism without thinking in terms of political ends. Unless there's been a reaction, there's been no journalism. It's cause and effect.
Good journalism is crucial. Good journalism isn't easy so I think it's less about what story and more about the layers and context that need to be explored in the story. That's one of the reasons why I'm excited to be a part of CNN. This is the kind of place that you can do that.
I often repeat three numbers: 20-23-26. Quebec generates only 20 per cent of Canada's wealth; it represents 23 per cent of the population, but it does 26 per cent of government spending in Canada. That's incompatible with good financial health over the long term.
One cheerleader per season per NFL squad is chosen to attend the Pro Bowl in Hawaii. All season long, the cheerleaders speculate about who will be chosen.
There is a problem in America. An Irish or Polish American can write a story and it's an American story. When a Black American writes a story, it's called a Black story. I take exception to that. Every artist has articulated to his own experience. The problem is that some people do not see Blacks as Americans.
Films don't always tell a story; some films can achieve effect just by being razzle-dazzle or rock n' roll. That's part of the fare that's out there. And that's okay. For me, I place more value on a story.
Since I went public with my story, I've never experienced such hate. I sometimes want to crawl under my blanket and hide forever and say, "No, that's some other girl who had an opinion." My blood has boiled a few times, but I just have to come back to earth and say people are entitled to their own opinions and I'm entitled to share my story the way I want. And that's exactly what I'm doing.
Most magazines have become wallpaper, they're all the same, all the same celebrities. It's really an abysmal time in American journalism right now. But occasionally one story or two will pop out.
Look the, the American worker has been losing - for decades now. We've seen manufacturing in decline here in the industrial Midwest.
At the beginning of the first season, you don't have that pressure to perform at 100 per cent, because it's always hard when you first start. But now, in the second season, people are expecting big things from you, so you can't really disappoint them.
Until recently we’ve only been able to speculate about story's persuasive effects. But over the last several decades psychology has begun a serious study of how story affects the human mind. Results repeatedly show that our attitudes, fears, hopes, and values are strongly influenced by story. In fact, fiction seems to be more effective at changing beliefs than writing that is specifically designed to persuade through argument and evidence.
Though it may not seem like it, I never try to write about a place, per se; it's always, first and last, about story. Story is everything. Story and a bit of attitude.
Our attitude toward our own culture has recently been characterized by two qualities, braggadocio and petulance. Braggadocio - empty boasting of American power, American virtue, American know-how - has dominated our foreign relations now for some decades. Here at home - within the family, so to speak - our attitude to our culture expresses a superficially different spirit, the spirit of petulance. Never before, perhaps, has a culture been so fragmented into groups, each full of its own virtue, each annoyed and irritated at the others.
Our royalty statement has been minimal and menial. Really. We don't collect more than a per cent of a per cent of a per cent of a per cent of a per cent of a per cent of a per cent. We get maybe the seventh of 1 percent.
There are some incredible television shows. It seems a sort of succumbed place to be. At the moment, I'm quite happy sort of flitting from place-to-place. I wouldn't want to relocate from where I am right now in terms of where I live.
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