A Quote by Stromae

I was raised in Brussels as a Belgian but, at the same time, feeling that I wasn't necessarily from here. — © Stromae
I was raised in Brussels as a Belgian but, at the same time, feeling that I wasn't necessarily from here.
It’s a Belgian beer, sweetie. Please tell me you’ve at least heard of it. (Blaine) Boy, I was born in Brussels and the last time I checked, this was my new homeland, America, not my birthplace. So you can either order an American-made beer or I’ll bring you water and you can sit there and act all superior until you puke, okay? (Aimee)
My parents, of Belgian-German extraction, were Belgian nationals who had taken refuge in England during the war. They returned to Belgium in 1920, and I grew up in the cosmopolitan harbour city of Antwerp, at a time when education in the Flemish part of the country was still half French and half Flemish.
Feeling good and feeling bad are not necessarily opposites. Both at least involve feelings. Any feeling is a reminder of life. The worst 'feeling' evidently is non-feeling.
I'm very Belgian, and I will die Belgian. I just have my house in the north of France because I began my career in Paris, even though I don't live there anymore.
The message that "we can't take in everybody" is imperative. At the same time, the decision as to who has a right to asylum needs to be made in Brussels.
In Brussels, you are able to have a lot of appointments in a day. In Paris, you can have one, two, maybe three, but you spend all your time on the road, in the car or in the suburbs. In Brussels, everything is easy. It's not a very big city, and the people are very quiet and warm.
The most amazing thing for me is that every single person who sees a movie, not necessarily one of my movies, brings a whole set of unique experiences. Now, through careful manipulation and good storytelling, you can get everybody to clap at the same time, to hopefully laugh at the same time, and to be afraid at the same time.
The doctors, whether based in Brussels or Paris, draw the same conclusions and write the same prescriptions.
The way we always want to compromise between everything, I think that's really Belgian. I think I'm really Belgian for that, because I never make choices. That's my problem, actually.
Just come to Brussels after a Council meeting. Do you know what happens? Every head of government holds his or her own press conference. They all say the same thing, in 24 languages: I was able to push through my agenda. And if the result is anything other than what they desired, the message is: Brussels is to blame. It has been this way for over 20 years. These messages stick with people, and that's deadly for Europe.
Being raised on a boat felt like it was totally normal to me. I was just another kid hanging out, doing this and that. My girlfriend and I had a funny period of time where I was always wanting to hug her all the time. I looked at my brother and he's the same way. It wasn't that our family was necessarily more affectionate than others. It was that we were basically sitting on top of each other, or side by side squished in together all the time. Because the boat was that small. It became part of our nature to be close to people.
I actually love fish and vegetables. I was raised on vegetables! Anything green - spinach, broccoli, brussels sprouts - I crave.
Being raised in Iowa, I know what a cornfield does for me, and I wanted to have that same kind of feeling for the Ramapo Mountains.
We all have those people in high school and college that we shared that important time with, but don't necessarily keep in touch with. It's the same thing with the 'Hills' crew - they'll always be a part of my roots but I don't necessarily talk to them every day.
I recently wrote a piece on comics in architecture - I was talking about the three kinds of comics I pay attention to: the Franco-Belgian, the Japanese manga, and the American comics. I started thinking about the relationship between Japanese manga and Japanese architecture, or Franco-Belgian bande dessinée versus Franco-Belgian architecture, it began to make sense; there are parallels to the modes of operations and the cultures they belong to. If I didn't force myself to write, I would have no forum to clarify these thoughts. Writing is really helpful.
There was an Old Person of Brussels, Who lived upon Brandy and Mussels; When he rushed through the town, he knocked most people down, Which distressed all the people of Brussels.
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