A Quote by Studs Terkel

I want people to talk to one another no matter what their difference of opinion might be. — © Studs Terkel
I want people to talk to one another no matter what their difference of opinion might be.
If you're going to have a difference of opinion, I think the difference of opinion should be on a matter of substance.
If two people have the same opinion, one is unnecessary. ... I don't want to talk, to communicate, with someone who agrees with me; I want to communicate with you because you see it differently. I value that difference.
I want to talk with people who care about things that matter that will make a life- changing difference
I have been so blessed not only to talk about things that I want to talk about in my industry, but also to have a platform - and people want to hear about it. People want the change; people want the difference; people want to know what's going on. People want to see themselves in the industry that for so long has ostracized girls of my size.
The scoreboard can't make you a loser. If you walk off the field with your head up, you don't lose. You don't hang your head for nobody. People in the stands think you're the greatest or the worst - their opinion doesn't make a difference. The only opinion that makes any difference is your own opinion of yourself.
I want to talk with people who care about things that matter that will make a life changing difference. True or true? Yes or yes? I never let my subject get in the way of what I want to talk about. When your self-worth goes up, your net worth goes up with it. In imagination, there's no limitation. Don't think it, ink it.
You cannot be worrying about what other people think. You have to be sure that what you do is what you love to do, because if you love it, maybe another hundred thousand people might love it, too. Some other people might not like it, but it doesn't matter, because you have to express what you want to express. You only live once.
You don't want someone who can't tell the difference between having a different opinion and dismissing your opinion.
You never know about the art world because it's a matter of opinion. If you look at old art like Rembrandt and Vermeer, it's not completely a matter of opinion. The pictures confront you, and you see exactly what it is. In modern art, a lot of it is suggestive, and it becomes a matter of opinion.
I'm gonna play this game the way I want to. It might be serious, it might be a comedy, it might be a dramedy, it might be variety, it might be a talk show, whatever. There's no box.
When we talk about music, we talk about our reaction to it. One person might say that music is so poetic, while another says it's all mathematics. Yet another might say it's about sensuality, and so on. That's all true. But music is not just one of these things. It's everything all at once.
The only way the devil really exists in my opinion... is in interactions with people who don't walk the walk and talk the talk; people who act one way, or talk one way and then do another. Those are the deals with the devil. I don't see the devil as somebody who is a horned, goateed guy with a fork in his hand that's there to continuously stab me and send my soul to hell. I don't see it that way at all.
While driving to work, I'll choose to think about a particular subject rather than just have random thought streams landing on one subject or another. For example, I might think about the structure of an opinion. Or I might think about the first sentence of an opinion, refining it.
I have always strenuously supported the right of every man to his own opinion, however different that opinion might be to mine. He who denies to another this right, makes a slave of himself to his present opinion, because he precludes himself the right of changing it.
During 'Chicago Hope,' I never let directors talk to me, because I was so spoiled. I started off with people like Milos Forman, Sidney Lumet, James Lapine, unbelievably gifted people. So there I was, saying, 'Don't talk to me, I don't want your opinion.' I behaved abominably.
During 'Chicago Hope,' I never let directors talk to me, because I was so spoiled. I started off with people like Milos Forman, Sidney Lumet, James Lapine, unbelievably gifted people. So there I was saying, 'Don't talk to me, I don't want your opinion.' I behaved abominably.
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