A Quote by Sudha Kongara
I think direction per se is your voice, your style.
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Style is like voice, it grows organically from the truth of one's own life experience. Not in terms of chapters, per se, but in terms of stories. It is the story itself that creates an inherent structure.
It is not sex per se - your identification with the body is the impediment to your spiritual growth.
We proclaim human intelligence to be morally valuable per se because we are human. If we were birds, we would proclaim the ability to fly as morally valuable per se. If we were fish, we would proclaim the ability to live underwater as morally valuable per se. But apart from our obviously self-interested proclamations, there is nothing morally valuable per se about human intelligence.
As one of my creative writing professors once said, there are only seven plots. What makes those plots different is how you handle them, your voice, your style, and your way of thinking. That’s all. People can mimic your style, but they can never achieve your unique point of view.
Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.
I think people solidify the direction they want to go and the style they want to have once their puberty passes. I think your twenties is when you learn new things and you have the opportunity to give your all to something, whether it's work or love.
You have to listen to what resonates within your own gut. You find your direction there.
Your voice comes out.
You have to listen to what resonates within your own gut. You find your direction there. Your voice comes out.
When you're acting on camera, you don't really think of your voice. You think of the whole instrument - your body, your look, and whatever you have to do. But when you're doing the voiceover, you're thinking only of your voice. You really can't compare the two different mediums.
Art school can be a wonderful place if you're trying to find your voice and your style and your taste.
Your voice determines people's perception probably more than your style or your jokes.
You can fill up your time with anything that you want. And stuff per se is not bad - technology is awesome; if you use it for the right the reason, it's great.
Acts of bravery don't always take place on battlefields. They can take place in your heart, when you have the courage to honor your character, your intellect, your inclinations, and yes, your soul by listening to its clean, clear voice of direction instead of following the muddied messages of a timid world.
You will face boredom and frustration your entire career as artists. You will be very frustrated seeking a voice/style that collectors can connect with. Once you accomplish that voice/style people are clamoring for, you will become bored doing it.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
There's times I've been quite nervous doing session work, such as when I'm asked to play the violin in a 'country and western' style or a 'gypsy' style. I'm not very good at that sort of playing at all. I think it's important as a session musician to have your own voice.
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