A Quote by Sudha Kongara
It's criminal to make a film and not see it release.
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We've ordered a crackdown on sanctuary cities that refuse to comply with federal law and that harbor criminal aliens and we've ordered an end to the policy of catch and release on the border, no more release. No matter who you are, release.
In existing criminology there are concepts: a criminal man, a criminal profession, a criminal society, a criminal sect, and a criminal tribe, but there is no concept of a criminal state, or a criminal government, or criminal legislation. Consequently what is often regarded as "political" activity is in fact a criminal activity.
When Shah Rukh's film can make it to the theatres for Diwali, why can't my film release on the same day?
The thing with film is that it's so wide-reaching compared to comedy. When I release my comedy special, half a million people will see it. If I release a movie, five to ten million people will see it.
With the right movie, 3D can enhance the experience. Absolutely, it can make a good film a great film. It can make a great film a really amazing film to see .
With independent film, simply because they don't have the money to make a big-budget film, they're forced to make a story that's important to them, that they would like to see on film, a personal story that people can relate to, about people, where you can see the love of the characters.
When Balaji decides to release a film, all you will see and hear will be concerning the film - we go all out! Promotions are a big part of our banner - we believe in marketing... in letting audiences know what they are in for.
My family is really excited to see me in 'Made In China' because Boman Irani is there in the film and I am a Parsi so, my family and I are really looking forward for the release of the film.
I never ever see a film of mine after I release it to the public. I see it when I shoot it in my dailies and while I'm editing it, re-editing it and reshooting it and all that. By the time it's finished I never want to see it again.
I can understand that an audience, buying a ticket to see a picture of mine, wants to see something funny because they feel confident that at least I have a fighting chance to make a funny film when I make a film, whereas if I make a dramatic film there's one chance in a thousand that it's really going to come out great, so I understand how they feel about that and they're completely right.
The press is so powerful in its image-making role, it can make the criminal look like he's a the victim and make the victim look like he's the criminal. This is the press, an irresponsible press. It will make the criminal look like he's the victim and make the victim look like he's the criminal. If you aren't careful, the newspapers will have you hating the people who are being oppressed and loving the people who are doing the oppressing.
I really wish that 'Angrezi Medium' would have released a little earlier or little after - at least, we would have had a proper release. The movie was taken down after one day of release. It is such a beautiful film and Irrfan Khan hasn't done a film in a long time, given his health conditions.
For me, as a film goer, I like nothing more than to sit in the cinema, have the lights go down and not know what I'm about to see or unfold on-screen. Every time we go to make a film, we do everything we can to try to systematise things so we're able to make the film in private, so that when it's finished it's up to the audience to make of it what they will.
When I see films made from books, I make a huge effort not to remember the book. It's important to see the film as a film.
I can look at something that others (might not) and I can see the value in it. I can make that film a film that everybody wants to see.
I think any person who goes to Rikers is criminalized, even just for visiting. I go back every week to see my friends in there. When you go to see a criminal, you are by relation a criminal and subject to be treated like one.
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