A Quote by Sung Jin Park

In New York, you get lots of trade. Rad Hourani gave me a cool hooded parka. — © Sung Jin Park
In New York, you get lots of trade. Rad Hourani gave me a cool hooded parka.
Well, it's a little harder in New York. It's not as forgiving to a film crew. You hold up a bunch of New Yorkers who can't cross the street, they're not going to take it well. Southern California? They'll wait. It's cool man. In New York, they're like, 'Are you kidding me? I gotta get to work.'
Any time you get to come to New York and be near New York City, that is a very cool opportunity.
The clothes are different: pre-dog, I used to be very finicky and self-conscious about how I looked; now I schlep around in the worst clothing - big heavy boots, baggy old sweaters, a hooded down parka from L.L. Bean that makes me look like an astronaut.
I do love to walk around in New York because people will notice me, smile, but they never bother anyone. New Yorkers are very cool. I love New York.
Growing up in a cold place, in Southern Ontario, Woolrich was a brand of choice for us because it was always warm and comfortable. The parka with the fur on it was standard fare for us. It's extraordinary that they have kept up with the times. Beyond the parka, they have changed, and they have some pretty hip, cool items which I wear.
I have friends in New York that won't leave New York, and they're really talented people, but they'd rather take an acting class in New York than do a play in Florida or Boston. That's just weird to me, but they get into that I've-got-to-be-in-the-center-of-the-universe mentality. I'm not that way.
When I saw the pictures of New York without the World Trade Center, New York looked like a shadow of itself.
New York is the thing that seduced me. New York is the thing that formed me. New York is the thing that deformed me. New York is the thing that perverted me. New York is the thing that converted me. And New York is the thing that I love too.
We all remember where we were and we all remember what we were doing. I had a brother in New York, an uncle, lots of friends in New York. It made me angry, it made me sad; what could I do.
Even before Pentatonix, I always thought that I would be out here in New York doing Broadway and doing musical theater. That was what gave me the passion for music in the first place, so it's been really, really, cool.
I did live in New York. Yeah, I moved to L.A. for 'Community.' And I gave up my apartment in New York.
I love New York. I was in New York at the age of 13, at the School of American Ballet, walking around the subways in my little bunhead and thinking I was so cool.
You get a timeless cool card in New York.
I combine aspects of fashion, comedy, sculpture, video, painting all kind of in one multimedia sort of curriculum. New York is what gave me that kind of ability or freedom. People come here from all over the world to do something ambitious, and I think New York is really positive in that regard.
The cool thing for me about moving to New York was that I got to create a new family.
New York had a big influence on me growing up, and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York, you are just bombarded with style, trying to figure out how to be cool and how to feel relaxed at the same time.
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