A Quote by Sung Jin Park
I still do all my developing and printing in my darkroom. Being in New York, you get tremendous exposure to great arts. In my student years, I saw exhibitions of August Sander and Diane Arbus. I still go back to their pictures. I don't really go for contemporary photo shows.
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We were in the middle of a sandbar in the middle of the ocean with no one around, and still someone was following me from New York, and was hiding in some bushes like a mile away with a long lens, so he still got pictures. It was really an eye opener to how you really have to be careful about being followed everywhere. I was trying to go to the most remote place in the world, I was out on a sandbar in the middle of the ocean, and they still found me. It was definitely a very new experience.
Producer Ed Pressman had a book about Diane Arbus - it's the only biography that exists - and there had been many Diane Arbus scripts. Many. I don't even know how many over the years. And it's sort of a cursed project, for lots of reasons. There's probably some pile somewhere of all these weird attempts, all these portraitures that can't get made.
I was born in Seoul, South Korea; then I moved to New York City at the age of seventeen. In New York, I studied art and photography. I thought I would be a painter; then I saw Walker Evans when I was in college, and that had a great impact on me. Being in the darkroom making B&W prints was such a magical experience.
In a lot of ways, L.A. has always been kind of colonized or marginalized by New York. It still goes on to this day, but I would add that it really feeds New York because it provides artists for that system. This is really a laboratory where they grow the seeds and they go there and blossom because there's still not a lot of support in L.A. for artists.
It was amazing to watch him in the darkroom at an advanced age, still get excited when the results were pleasing. He still struggled like we all do in the darkroom and he struggled behind the camera, and when he had a success he was beaming.
I still am in touch with several friends from high school. I don't go to reunions much. I'm afraid that if I go back to the school, they'll suddenly go, 'You know what? We've checked the records and you still have one more French class. Get back in here.'
I have a great-great-great-grandfather who was a Confederate cavalry colonel, and I still have his military composite photo on my wall. The chemicals in the photo tint have changed over the years to the point that he looks green. One of my family members apparently still has the piece of paper that listed every thing in his pocket when he got shot.
A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.
When I go back to New York all these years later, I'll walk down Seventh Avenue, and I'll hear, 'Yo, Oz!' In New York, I get recognized for that all the time.
I don't need to own one but I like to look at Diane Arbus's pictures and anything by Jackson Pollock.
Oh, Diane Nash deserves her own film. Diane Nash is a freedom fighter who is still alive and kicking. She was one of the leaders of the desegregation of Nashville, basically. She was a student at Fisk University who was one of the founding members of SNCC, the Student Nonviolent Coordinating Committee.
Don't get between me and a really good picture in the darkroom, because then I want to go straight to the darkroom and develop it. But once that's done, I'm fine.
Being Puerto Rican, born and raised on the streets of New York, you go, 'Wow, you're still friends with your ex, man? Really? That's weird.' I don't play that.
One thing I really want to do is - I spent ten years in New York doing theater before I moved to L.A. to do TV and film. I'd really like to go to back New York and do some theater.
One of the reasons I wanted to come back is I got sick of seeing really ugly pictures of myself in the tabloids. I got to the point where I'd look in the mirror and say: "Where'd she go? Because she's still in there." I knew she was still in there (she laughs) and it didn't take much to get her out.
I hardly ever go back to Florida. It's really hard to go back. I mean, I hated it so much. I didn't grow up in a great neighborhood, and it puts me back in that feeling of, "I want to get out immediately." That was kind of the push and what still pushes me, that I don't want to end up back there.
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