A Quote by Susan Nagel
Often, one discovery leads to interest in another. After the Dauphin's heart had undergone DNA testing and was placed in the crypt at St. Denis, I think people wanted some closure to the story about the fate of the royal couple's only child who survived the gruesome Temple Prison. I know I did.
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Pardon me," I answered, as I placed a bundle of straw upon the fire and slightly stirred it. Then I turned quickly but already we had passed out of sight of La Muette. Astonished I cast a glance towards the river. I perceived the confluence of the Oise. And naming the principal bends of the river by the places nearest them, I cried, "Passy, St. Germain, St. Denis, Sevres!"
I'm not interested in closure. Some people just have heart attacks and die, right? There's no closure.
Every field piece I did on 'The Daily Show' was a story that lasted five to six minutes. We had a protagonist, we had an antagonist and often put them at odds. We knew the story we wanted to tell before we went in, and often it was about plugging whatever character you have - in this case, a real person - into said part.
[On the legend that after being beheaded St. Denis walked six miles with his head in his hands:] It is only the first step that is difficult.
Often, I dream about work. For instance, the night before the Oscars, I dreamt about the Oscars and I dreamt about who I wanted to interview. Interestingly, one of the people I really wanted to interview was Keanu Reeves, and then we got him. We had never interviewed him before, so that was lucky. Or maybe it was fate - I don't know.
I'm not interested in leaving it open-ended. That would just cause me frustration. I wouldn't be satisfied. What's really cool about Fringe, and one of the things we did do right, was that the way we chose to tell the story was that, with every season, there was a closure and then a new chapter. That allowed us to actually make the closure.
In the '80s, there was this talk about a thrower whose urine was sent for testing after a meet and it tested positive for pregnancy! Apparently, his urine was replaced with that of a female nurse at the clinic. I don't know if the story was true, but in those primitive days of dope testing India, you could not have laughed it off.
There is, on the whole, nothing on earth intended for innocent people so horrible as a school. To begin with, it is a prison. But in some respects more cruel than a prison. In a prison, for instance, you are not forced to read books written by the warders and the governor. . . .In the prison you are not forced to sit listening to turnkeys discoursing without charm or interest on subjects that they don't understand and don't care about, and therefore incapable of making you understand or care about. In a prison they may torture your body; but they do not torture your brains.
I never wanted to write about Bulgaria. When I was still living there I did my absolute best to never write a story with a Bulgarian character with a Bulgarian name, and only after I came to the US and I was far away and missing it a great deal did I realize that writing about could be my way of returning back home. I think it was only through my writing that I fell in love with the country and with the history.
The reason 'closure' is a cliche is that it is used too often, too imprecisely, and doesn't in any case reflect reality. In reality, such closure in broken friendships and much else in life is rarely achieved; only death brings closure and then not always for those still living.
I love secrets. Here's a bunch of people who think they know each other over a long period of time. And they do. And they don't. Secrets aren't the same thing as shame, but they can fall in that category. I'm very interested in the ways that people are open and honest with one another and simultaneously in hiding. What we know about those we love is only part of the story. Who do we protect with our secrets? Others? Ourselves? These are questions that interest me in fiction. The public and the private self.
The mythology around colorblindness leads people to imagine that if poor kids of color are failing or getting locked up in large numbers, it must be something wrong with them. It leads young kids of color to look around and say: "There must be something wrong with me, there must be something wrong with us. Is there something inherent, something different about me, about us as a people, that leads us to fail so often, that leads us to live in these miserable conditions, that leads us to go in and out of prison?"
They had battled and bloodied one another, they had kept secrets, broken hearts, lied, betrayed, exiled, they had walked away, said goodbye and sworn it was forever, and somehow, every time, they had mended, they had forgiven, they had survived. Some mistakes could never be fixed - some, but not all. Some people can't be driven away, no matter how hard you try. Some friendships won't break.
What had been became what was and a story only works when you know the ending. When the people in it don’t seem like pretend. When you can think about that girl and how she was once upon a time, and see her. When you don’t already know the story is a lie.
I have often noticed that after I had bestowed on the characters of my novels some treasured item of my past, it would pine away in the artificial world where I had so abruptly placed it.
I certainly know guys in comedy, I know some actors, and I definitely know some musicians, who have survived to a certain age and make a good living doing what they do, but nobody knows who they are. They wake up every day and they have the ability to get paid practicing their art, but underneath it all, if you scratched the surface, you still get, "If I only had my own show . . .," or "If I only had my own band . . ." It's what people always do when they want to be their own star.
