A Quote by Susanna Fogel
I love Nicole Holofcener's films for their constant duality of humor and emotion and their focus on very real, if flawed, dynamics between funny people.
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I love Nicole Holofcener and Lynn Shelton, both for the same reasons: their films are funny without being forced, intimate and real while also being hugely entertaining.
I started really idolizing people like Nicole Holofcener and Whit Stillman.
I've been inspired for a long time by Nicole Holofcener. I admire her greatly as an auteur, examining the human condition in a funny, growing, spirited, honestly dark and human way.
Actually, Nicole Holofcener's movies have always felt really right to me. 'Lovely & Amazing' is a movie about women's bodies that I feel is so truthful and painful and real.
The woman I'd want to meet the most is Nicole Holofcener. I've loved every single film she's done. I think her films are deeply comedic while being deeply disturbing and dark.
My way of dealing with not really fitting in at my very crappy New England high school and junior high was to write sketch comedy and satirical takedowns of the social hierarchies. At the same time, I was developing a love for movies at the height of the '90s New York indie movie explosion: everything from 'Rushmore' to Nicole Holofcener movies.
I remember reading in a comedy book very long ago when I first started, a person said there's a difference between a sense of humor and a sense of funny. A sense of humor is knowing what makes you laugh and a sense of funny is knowing what makes other people laugh. The journey of comedy, in a sense, is negotiating those two worlds.
Let's be honest, you and I have probably seen a whole lot of family films - you have to do something special. Jim Strouse has the ability to write this hairpin turn between emotion and comedy that is very real. In real life, you don't have time to prepare for the bad stuff and you don't have time to prepare for the good stuff, it just sort of happens.
I'm not offended. Lenny Bruce taught me that everything's funny. You can make everything funny. I don't think that assassinations are funny, I don't think you can make fun of ISIS, but almost everything is funny. And If we can't laugh at ourselves, who can we laugh at? So I don't mind ethnic humor. I like ethnic humor. I like dialect jokes. Laughter is a very subjective thing. If it's funny to you it's funny. And a lot of things are funny to me.
I love some of the most hateful tweets. I think they're very funny. In the negative attacks on me, there are frequently some real displays of humor. I want to reply, but I won't, because there are all sorts of other people making serious points that I care about, and I don't want them to be discouraged.
I love love. Growing up, I always thought it was a state, and I'd wait for it to appear. Now I think it's an activity, a skill, something you strive to create. A constant conversation between emotion and imagination and flesh.
Why do all these people want [comedians] to be serious? The reason they want that is these are people who aren't funny. Anybody funny can be serious, but people who have no sense of humor, they can never be funny - and frankly, they're jealous. There's very few comic actors. Think about it. There aren't that many. It's hard because you have to be able to do both.
I do think that animated films have the ability to touch you someplace. There is something about live action movies that is different because we know the characters are real people, so they always stay flawed for us somehow. But animated films touch us in a very clear, uncomplicated place. They have that ability. And an animated character can make an expression in a way humans can't do.
There's a difference between a sense of humor and a sense of funny. A sense of humor is knowing what makes you laugh and a sense of funny is knowing what makes other people laugh. The journey of comedy, in a sense, is negotiating those two worlds.
Gratitude is the creative force, the mother and father of love. It is in gratitude that real love exists. Love expands only when gratitude is there. Limited love does not offer gratitude. Limited love is immediately bound by something- by constant desires or constant demands. But when it is unlimited love, constant love, then gratitude comes to the fore. This love becomes all gratitude.
It's a battle between record company, between producer and between mastering engineer. Because the louder you make your record in a digital process, the more dynamics are squished out of it. Nobody knows exactly what happens, but the dynamics in the performance disappear, and everything is at the same volume.
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