A Quote by Susanne Bier
I think that being Jewish has generated an extremely strong sense of the importance of family. If I look at my Scandinavian colleagues, they don't have that urgency about family. All my movies are about that.
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I definitely have a strong sense of my Jewish and Israeli identity. I did my two year military service, I was brought up in a very Jewish, Israeli family environment, so of course my heritage is very important to me. I want people to have a good impression of Israel. I don't feel like I'm an ambassador for my country, but I do talk about Israel a lot - I enjoy telling people about where I come from and my religion.
Being involved in sports and having a very sport orientated family just helped the transition extremely well. I guess, in a way, your school colleagues saw you out and about, and you were part of the team you were getting into the Australian way, learning the language. The transition was extremely smooth.
When you have a Jewish mother who has a very strong Jewish family, it's very ethnic in its practices. Eating brisket, the food and the family and the interconnectedness for better or worse.
I would hate for people to think that 'Strong Island' is just about a family's grief. It is about a family's grief, yes, but it is also an interrogation of our criminal justice system.
I was completely naive about the business of being an actor. My family didn't go to the theater or to the movies. We watched television like every 1960s small-town American family, and I certainly never thought about being on TV. I thought I was going to be a classical actor in the grand tradition.
I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.
It doesn't matter whether you have the happiest upbringing... the young Joe Scot had the most dysfunctional family there could be but it's still a family and it's a really good, strong family. But in spite of that he runs away from home. I relate to all of those things very directly. I hit 40 this year but I still think about being a teenager and hopefully I will for the rest of my life. They are important years.
I have always been very open and honest about this part of my life with my friends, my family, and my colleagues. In a perfect world, I don't think it's anyone else's business, but I do think there is value in standing up and being counted. I’m not an activist, but I am a human being and I don't give that up by being a journalist.
I definitely have a strong sense of my Jewish and Israeli identity. I did my two-year military service; I was brought up in a very Jewish, Israeli family environment, so of course my heritage is very important to me.
We are on the verge of losing the traditional idea of the family, especially in Japan, where the declining birth rate shows no signs of stopping. This is precisely why I think we should consider with a sense of urgency what the new image of "family" should be like, and not fall into the nostalgism that days gone by were just better.
In my modeling days, I never faced situations where I had to really think about others, or my family and friends. I didn't have a sense of responsibility; it was more about my well-being and goals.
Sometimes when people look at the work I've done with my family, they think it's autobiographical. But it really isn't. It's more about the idea of family.
Obviously loss of family is huge and critical, but I think really it's more about losing a sense of family. The horror of that kind of incompleteness. Writing this book, I tried not to think about my father, which does no one any good fictionally. I did try to imagine not just the horror of that moment, but the horror of having witnessed it, and the lifelong void. And I think that's what's so frightening.
I do consider myself a Norwegian writer, or a Scandinavian writer, as my family tree reaches into both Denmark and Sweden. I don't think about it, of course, when I am writing.
When my Republican colleagues talk about family values, they mean that a woman should not be able to have the right to control her own body; that women should not be able to purchase the contraceptives that they want. Those are their family values, not our family values.
We need more men to talk about their experiences of being a dad with colleagues, friends and family. It shouldn't be surprising to hear about men being good fathers and it's one of the most powerful ways we can counter the harmful 'hapless dad' stereotype.
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