A Quote by Sydney Pollack
Making a film is a way for me to understand what it's like to be a murderer, to confess, to be a beaten wife, to be a minority, to be a victor, to get the girl, to lose the girl. I can do all of that through the practice of an art form.
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Most human beings who are accustomed to attempting to see the world from various points of view tend to be more liberal than conservative. I have one life. I am a certain age. I'm married to one person. I have a certain number of children. I won't have another life other than that, but I do have many lives through the films. It's a way for me to understand what it's like to be a murderer, to confess, to be a beaten wife, to be a minority, to be a victor, to get the girl, to lose the girl. I can do all of that through the practice of an art form.
If you're a movie star, you get the girl, you lose the girl, and then you get her back. But if you're a character like me, you lose the girl, then you get another one, then you get another one, then you lose them all, then you lose your life.
What do I like in a girl? I like a girl that likes me, a girl that knows how to smile and see the bright side of things. A girl that makes me a better person.
In the forties, to get a girl you had to be a GI or a jock. In the fifties, to get a girl you had to be Jewish. In the sixties, to get a girl you had to be black. In the seventies, to get a girl you've got to be a girl.
I'll never have a best friend who is a man. It just doesn't work that way. So many times young girls will be like, 'I'm a guy's girl.' And I'm like, 'No, you're not. There's no way a man can understand you like a woman, and you're a guy's girl because you're threatened by other women.' I was like that.
I didn't have the easiest childhood. I was never the popular girl in school growing up. I was always the lone black girl or the lone fat girl or the long tall girl, so that has made me more compassionate to all people. It also gave me the drive and ambition to go after my dreams in a big way.
Yeah, I'd like to get the girl and at least make it through the film.
I always get cast as the girl who's dying or the girl who's killing or the girl who's suicidal - all these heavy roles. But I like playing them.
If anyone was going to write a song or, you know, or a book, or make a film about a girl like me, it was going to have to be a girl like me, and quite literally, me.
I used to get the girl; now I get the part. In 'The Quiet American' you may have noticed I got the part and the girl. It's a milestone for me, because it's the last time I'm going to get the girl.
Be that strong girl that everyone knew would make it through the worst, be that fearless girl, the one who would dare to do anything, be that independent girl who didn’t need a man; be that girl who never backed down.
A girl who pays attention is very cool. It's really hard to pay attention to someone. I understand. I get it. I get bored a lot when I'm talking to people, but I try. So I'd like for the girl to try, too.
Writing talent is similar to the art of chatting up a girl. You can improve to a certain degree through practice, but basically you are either born with it or you aren't.
Instead of making Friday The 13th, Part VIII or whatever, I was making the girl-meets-boy, girl-meets-girl-dressed-as-boy movie. It was fun. I liked it. It's goofy. I look back at myself and think, "What the hell was I doing?"
In a lot of teen movies nowadays, you just get the rote six stereotypes like the jock, the cool guy, the nerd, the hot girl, the girl who cares, and the girl who has glasses and is supposed to be ugly but is actually beautiful.
The only way I could get comfortable around people was to make them laugh. I was an obedient girl, and humor was my one form of rebellion. I used comedy to deflect. Like, 'Hey, check out my zit!' - you know, making fun of yourself before someone else has a chance to.
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