A Quote by Sydney Pollack
I'm not a very good predictor in any area of art, particularly my own. I don't know how to evaluate that.
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I was in the Air Force a while and they had what they call "policing the area." That's where you looked around and if there's anything wrong here, there, anywhere, you took care of your own area. And I think that's a pretty good thing to go by. If everyone just takes care of their own area then we won't have any problems. Be here. Be present. Wherever you are, be there. And look around you and see what needs to be changed.
How is your health? I feel pretty good, and I'm very anxious to get the season going. I think we have a chance to have a good football team. I don't have any health problems. I don't know how any of the stuff gets started. . . . My health is very good.
Any good director, and I've worked with a few that I would call very good, they know how to disarm any anxieties very quickly.
Honestly, dialogue is a weird area for me. It just comes naturally; I know I'm quite good at it, but I can't actually tell you why or how in any detail.
(I've learned) how important it is to really evaluate your own life...to pay attention to what's going on in your own head, and to know that this is (your) life...and make conscious decisions about how you want to live it.
When I talk of primordial innocence, I hear it in Sufi music with the nay flute. I see it in Coptic icons, in most traditional art, particularly art of the American Indian. I find the texts extraordinarily beautiful and very childlike and very simple. I've been particularly interested in American Indian texts.
A lot of people who curate in the business, and curate the art, don't really have good artistic sense. They may know commerce, but they aren't savvy enough to know how to balance commerce and art, you know? They don't know how to satisfy both palates.
The best introduction by far to representation of the human figure in art. The Nude is a beautifully written work of sophisticated connoisseurship that analyzes art in its own terms rather than imposing strident, politicized categories on it. It outlines the major body types, male and female, in Western art and, via a wealth of illustrations, trains the reader's eye to detect and evaluate proportion. This book reveres art
I'm not that particularly talented in terms of making anything or - I'm not technically efficient. I certainly don't know how to draw very well or paint, and I'm not good with computers. But I think the thing that I'm good at is willing something into life, no matter what. I do what it takes to get it done.
But Catherine did not know her own advantages - did not know that a good-looking girl, with an affectionate heart and a very ignorant mind, cannot fail of attracting a clever young man, unless circumstances are particularly untoward.
I'am not predictor of fights, but I know when I hit 'em good, the fight is close to an end
Making strong infrastructural reforms, particularly in the area of social security, that's not an appealing prospect for any country or for any political structure. But that's a reality.
There is no separate art of life. If you know how to allow poetry, if you know how to allow dance, if you know how to allow love - if you know how to ALLOW, then you know the art of life. In the allowing, in the let-go, in the surrender, is the art of life. How not to be and to let God be - that is the only art of life.
I think games are a good medium for approaching any subject, particularly difficult ones, because by their very nature, they are abstract, invite interaction and allow us to confront and question things... particularly rules that we may blindly follow.
I'm interested in - in that his power, if that is the word, is such that he has actually been able to be in a way a one-man wrecking crew in the area of deportment and how one proceeds politically on the stump. Marco Rubio is - is attempting, as you know, to a - to give [Donald] Trump a fight in Trump's own style. I'm not sure how that works, but - but certainly the indices are good.
I'm particularly drawn to actors in their own little drama. I find it's that area I'm very alive to. And I don't encounter it that often. You have to be far from civilization, you have to be far from New York or London to find people who do that.
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