A Quote by Sydney Pollack

I'm not going to be an interpreter at the U.N. I'm not going to live in Africa on a farm or whatever, but I am going to see the world through those eyes when I make those films.
When I walk up on that shore in Florida, I want millions of those AARP sisters and brothers to look at me and say, 'I'm going to go write that novel I thought it was too late to do. I'm going to go work in Africa on that farm that those people need help at. I'm going to adopt a child. It's not too late, I can still live my dreams.'
I am sure there's going to be times when I do things wrong that no one's going to like and everyone's going to think I'm terrible and rubbish but I know I'm going to go through those times, and it's just about understanding that that's going to happen.
Closing your eyes isn't going to change anything. Nothing's going to disappear just because you can't see what's going on. In fact, things will even be worse the next time you open your eyes. That's the kind of world we live in. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won't make time stand still.
I am one of those people that believes that if I am going through something, somebody else out there among those billions of people living on this Earth is going through something similar, if not the same thing
I asked myself, 'Am I going to withdraw from the world, like most people do, or am I going to live?' I decided I am going to live - or at least try to live - the way I want, with dignity, with courage, with humor, with composure.
I remember going to see those Adrian Lyne films when I was going to see movies in the nineties, and I was jealous he wasn't working at New Line.
I'm not going to take anyone else's word for it, or NASA, or especially Elon Musk with SpaceX. I'm going to build my own rocket right here and I'm going to see it with my own eyes what shape this world we live on.
You're going to have twenty years as host of the 'Today Show,' and eighteen of those years are going to be so unbelievably fantastic that you're going to think you're living in a fantasy world. And one or two of those years is going to be incredibly frustrating and challenging.
Some filmmakers are more eclectic than others. I'm not one of those! I'm interested in what I'm interested in, which is films about the world, about what's going on. I started in TV documentaries with 'World in Action,' and those interests feed into the films I make now.
Yes, you can have art films about the triumph of the human spirit and all of that, but you'll have it done with a big-budget icon with a $20 million salary. You'll have Julia Roberts, you'll have Robert Redford, you'll have Russell Crowe doing those films, because if they're going to cost $90 million, they're going to make that movie for a public that's very large and mainstream. They're not going to make it for three or four million black people.
It's all the stuff I've been through in my life. From family struggles, people doubting me, things I went through as a child and going to prison, they all played a factor in who I am today. It really made me a better person. Going through those situations can make or break you as a human being.
I think we have a responsibility to shape the zeitgeist with the movies we put out there. Because 'After Earth' isn't going to do it. 'The Expendables 3' isn't going to do it. You could make one million amazing films for the amount of money they spend on those films. I get frustrated.
Those who live as though God sets the rules are not going by their own rules. That is the self-sacrifice, or selflessness, that peace more often than not requires. Those who insist on going by their own rules cannot make that sacrifice. They are the steady adherents of (global) conflict because they are forever fighting both themselves and others to do whatever they think that they want to do.
Everybody who plays top-level sport, whether it's golf or football, or whatever, needs to get into 'The Zone'... For me personally, on the morning of a round, preparation is always about getting into the zone. The less I communicate with other people, the better. I'm trying to rehearse in my mind what I am working on in my game: going through my swing keys, going through my putting keys. When I get to the course I get the pin positions for the day and I'll analyze those. I'll make a strategy for the golf course and look how I'm going to play it
It is very important for I think those of us who desperately want peace, who see war as, at some level, a break-down, a manifestation of human weakness, to understand that sometimes it’s also necessary – and you know, to – to be able to balance two ideas at the same time; that we are constantly striving for peace, we are doubling up on our diplomacy, we are going to actively engage, we are going to try to see the world through other people’s eyes and not just our own.
All the actor does is, he tries to get as many takes as he can out of the director that day. So he can walk away and say to himself, "Hey, it's in there. I'm not going to edit it. I'm not going to make those choices. If they want to blow it, it's fine. But I've done all I can." You're right. I'm always amazed when actors bash films as if those grips and that cinematographer didn't work hard enough.
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