A Quote by Sydney Pollack
People aren't interested in paying $10 or $12 to go to the movies and to be lectured to politically. I'm not either. So I don't try to make those kinds of films.
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Some people go to the movies to be reminded that everything's okay. I don't make those kinds of movies.
In the last 10 to 12 years when things were not going my way, I was just writing scripts. I have a bank of 10 to 12 scripts for web-series, films and short films.
All of the movies that last, that you return to, the movies that struck you as a kid and continue to open up to you 10 years later and 10 years after that - those are the movies I want to make. Those things are eternal.
I'd love to make 10 to 12 films in my life. That's a lot of films, but it's doable.
The constant is always mythologies and the very first stories that we have. All of the movies that last, that you return to, the movies that struck you as a kid and continue to open up to you 10 years later and 10 years after that - those are the movies I want to make. Those things are eternal.
If we make films only for the frontbenchers, we can't make money. Hence, we have to make it for a majority audience. As my films are mass films, I deal with emotions in raw form - they are not subtle. I don't mind being branded. That does not mean I like only those kinds of films.
I'm interested in the relationships of people. I'm interested in the darker moments within us. All those aspects of human behavior, I'm fascinated by. But in the times we're in, those are hard movies to make. So if I can do it at HBO, fine.
My father, who was the one who really got me hooked on movies, liked all kinds of films, and I saw all kinds of films at a very young age.
Entertainment has to come hand in hand with a little bit of medicine. Some people go to the movies to be reminded that everything's okay. I don't make those kinds of movies. That, to me, is a lie. Everything's not okay.
I made a few movies in Holland for a lot of TV series. I came to Los Angeles and for the last 10 years, I made a lot of feature films - all kinds of low budget action movies for the studios.
My partner, Beth Alexander, and I want to produce smaller films, but commercially viable films that will enable me to make the kinds of movies I want to make.
Some filmmakers are more eclectic than others. I'm not one of those! I'm interested in what I'm interested in, which is films about the world, about what's going on. I started in TV documentaries with 'World in Action,' and those interests feed into the films I make now.
What is the truth is that every one of my films is a film that I'd love to go see, and I think that's very important because I always think it's a mistake to make movies for other people, or to make them for a demographic, or try to second guess an audience.
Yes, I would love to play one of the leads in one these movies and have all those challenges and deal with all those complications, but the business being what it is, there is a slot for me in these kinds of films, so I enjoy them, and I enjoy the people that I work with.
It's true that there are younger people making films, and there are different kinds of films. This has created some attention in what's coming out of Greece, and people like to find a way to name this new ethnic cinema. It's not like there's a movement, or a common philosophy in making these films. They're just things that happened, and now people are paying attention to it.
I like all kinds of movies, I love movies; and I always wanted to try and make one.
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