A Quote by Sydney Pollack
I mean, I don't know anything else that I would try to do, but it's a very frustrating thing to do, because you are trying to take what's a fantasy in your head and make it live through the minds of 200 people.
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I just wish I had longer. It's very frustrating. As you know, to people over here, cities like [Washington] D.C. are iconic. We know them so well. It's very frustrating to be in one of them for 36 hours and have a show to do because you can't really do anything.
There's nothing worse than the frustration of having somebody who you feel doesn't get what you're doing, trying to turn it into something else. It's a very, very annoying and sort of frustrating thing and I just never wanted to go through it. I was very fortunate as I came up through the film business that I was able to insulate myself from that.
Always try to use the language so as to make quite clear what you mean and make sure your sentence couldn't mean anything else.
[W]hen you're shooting a doc, you're trying to class it up because you can. You know, you're trying to make this feel like cinematic experience. And when you're doing fiction you're trying to do the opposite thing you're trying to take this very artificial experience this very artificial experience and make it feel real and visceral.
I think in Arabic at times, but when I'm writing it's all in English. And I don't try to make my English sound more Arabic, because it would be phony - I'm imagining Melanie Griffith trying to do a German accent in Shining Through. It just wouldn't work. But the language in my head is a specific kind of English. It's not exactly American, not exactly British. Because everything is filtered through me, through my experience. I'm Lebanese, but not that much. American, but not that much. Gay, but not that much. The only thing I'm sure of, really, is that I'm under 5'7".
I'm not an L.A. guy. I don't take meetings - you know what I mean? I don't really know how to interact very well with people in L.A. because everybody's got an agenda and everybody's like, "What do you do?" "Where are you going?" Or it's like, "What do you know?" And I'm not on a grind - I was there to make music and to meet people but I wasn't hustling for anything.
It's also one thing to see a celebrity or some kind of character on a TV show being gay. It's a totally different thing when you know your husband... not your husband, but your brother or your friend or the dude you hung out in high school was gay. I mean, that is what changes people's minds, what changes people's minds.
I'm always confused when people say how much they miss 'Invader Zim' because the show never stopped running in my head, and then I remember everyone else isn't in my head. I try to imagine the world for all those people who don’t know what Zim's been up to since the show went off the air and it makes me shudder. How can people live that way? Hopefully this comic helps make the world a better place.
This is what I have discovered - and it has been a gift in itself - that books live over and over again in different people's minds. That I might mean one thing as I write, but a reader's experiences will take it somewhere else. That is like a conversation, I think. It is a true connecting up.
What does it mean for a painter to paint in the manner of So-and-So or to actually imitate someone else? What's wrong with that? On the contrary, it's a good idea. You should constantly try to paint like someone else. But the thing is, you can't! You would like to. You try. But it turns out to be a botch... And it's at the very moment you make a botch of it that you're yourself.
From day one, I was already famous in my own head. It didn't take anything to make me feel that way. I know I'm totally not famous. I mean, it just depends on your perspective.
I don't want to force anything on anyone. I'm not trying to bust you over the head and make you buy this record or this song or whatever. I'm presenting it to you so you can take it in. You know, it's like trying to force a kid to eat broccoli. If I present it as trees that make your muscles grow, my son is like, 'I'm down with getting muscles.'
I'm not saying that 'Twilight' is, you know, some brilliant Oscar-winner, it's not 'Dr. Zhivago.' It's not trying to be. Because it is a female fantasy. I would argue that it's actually a universal fantasy. Which is, the fantasy being to be loved and cherished for exactly who you are.
You must be really bad, because it is a puzzle. Creating anything is hard. It’s a cliché thing to say, but every time you start a job, you just don’t know anything. I mean, I can break something down, but ultimately I don’t know anything when I start work on a new movie. You start stabbing out, and you make a mistake, and it’s not right, and then you try again and again. The key is you have to commit. And that’s hard because you have to find what it is you are committing to.
I'm a Christian. I'm committed to Jesus Christ and I want people to know about Christ, because it's the most wonderful thing. People can say, 'I'll try and give up drugs,' or 'I'll try and live a better life,' but actually, if you're trapped in that lifestyle, you need, I think, some supernatural power to get you out of it. It's not easy to get out of the kind of lifestyles those people are in where all your family are criminals and all your friends are criminals - that is not an easy break to make, and it is a hard thing for a lot of these people.
You can't make everyone happy no matter what. All I can do is live my life and try to be successful and please myself. I have my own morals I live by. Bill Cosby once said, 'I don't know the key to success but the key to failure is trying to please everybody.' I agree with that. I live my life my way. I try to do the right thing, but I know there are going to be people who aren't happy with what I do or say no matter what, so I'm not going to worry about it.
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