A Quote by Sydney Pollack
We talked about Tootsie, the idea in Tootsie is that a man becomes a better man for having been a woman.
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I had been nominated for an Academy Award for my performance as Sandy Lester, Dustin Hoffman's neurotic, struggling actress girlfriend, in 'Tootsie.' Under Sydney Pollack's direction, 'Tootsie' had been a runaway hit starring Dustin as an unemployed actor who pretends to be a woman in order to land a role in a soap opera.
I think Dustin Hoffman has been in at least three of my favorite movies of all time with things like 'Tootsie,' 'Marathon Man.' Getting a bit more arthouse and darker, 'The Graduate' - incredible, barrier-breaking movie, 'The Graduate.'
Before I saw 'Tootsie' with an audience, I thought, 'No one is going to believe this could convince anyone he's a woman.'
The misnamed "feminine" woman, so admired by her creator, man - the woman who is acquiescent in her inferiority and who has swallowed man's image of her as his ordained helpmate and no more - is in reality the "masculine" woman. The truly feminine woman "cannot help burning with that inner rage that comes from having to identify with her exploiter's negative image of her," and having to conform to her persecutor's idea of femininity and its man-decreed limitations.
My favourite film is 'Tootsie.' I suppose that's because it's very much about my industry and I love all the jokes, albeit a slightly bygone age of the 1980s, a world that I really understand.
The curious thing about that moustache and goatee is that when you look at the Mona Lisa it becomes a man. It is not a woman disguised as a man; it is a real man, and that was my discovery, without realising it at the time.
A man can't hit a woman and stay a man. He becomes a loathsome thing, even to himself. But the woman who stays with such a man panders to his darkness. They both risk their souls.
I love having made a film and watching it when it affects audiences in a positive way. It was always fun for me to hide in the back of a theater and watch Tootsie with an audience and hear them laugh. And it's gratifying 20 years later to imagine that they still can find it amusing.
From woman, man is born; within woman, man is conceived; to woman he is engaged and married. Woman becomes his friend; through woman, the future generations come. When his woman dies, he seeks another woman; to woman he is bound. So why call her bad? From her, kings are born. From woman, woman is born; without woman, there would be no one at all.
Drag has been featured in popular culture for decades. Movies like 'Kinky Boots,' 'Tootsie,' 'The Birdcage' - even 'Mrs. Doubtfire' - have showcased men, some gay, some not, who dress and perform as women.
After a moment the king said, "So be it." Zsadist cursed. Butch whistled low. Rhage bit into a Tootsie Pop.
I've talked to other players that have been to the Super Bowl and about what happened the next year. Everybody becomes stars. Everybody feels like, 'I'm the man.'
The mark of man is initiative, but the mark of woman is cooperation. Man talks about freedom; woman about sympathy, love, sacrifice. Man cooperates with nature; woman cooperates with God. Man was called to till the earth, to "rule over the earth"; woman to be the bearer of a life that comes from God.
The chief glory of a woman is not to be talked of, said Pericles, himself a much-talked-of-man.
In France, for example, it is not unusual for a husband to have a wife and a mistress. However, if in addition to these two he's also having a fling with a fringe tootsie, both the wife and the mistress are outraged and the combination lover, husband, and cheat may well wind up with a large French bread knife between his ribs.
Ridiculously - fortunately - my first job was with Dustin Hoffman. I had a little part in this movie called Tootsie. And he taught me how to watch dailies. That it was very important.
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