A Quote by Sydney Pollack
You know, essentially when you do a play you're reinterpreting a work of art that already exists. That's not what happens with a movie.
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perfectionism is the enemy of art. Since art is essentially divine play, not dogged work, it often happens that as one becomes more professionally driven one also becomes less capriciously playful.
With a movie you're creating from the beginning this particular work, let's not call it work of art, because very few movies are works of art, let's just call them bits of popular culture, whatever they are, sometimes very rarely by accident a movie becomes a work of art.
There's a portion of the movie where something bad happens to me, and I lose my clothes along the way, so essentially I'm wearing a bra and trousers. There are certain requirements, but luckily I have a good base because I work out often.
Intuitive cognition of a thing is cognition that enables us to know whether the thing exists or does not exist, in such a way that, if the thing exists, then the intellect immediately judges that it exists and evidently knows that it exists, unless the judgment happens to be impeded through the imperfection of this cognition.
Some people don't think that what I do is art - but for me art exists by definition. The beautiful and most liberating thing about being an artist is the ability to say that what I make is art. Art exists because the author says so.
The best complement I ever got from the public or producers or directors is that I just totally blend in and become the character and they don't notice me and that the play happens or the movie happens or the TV show happens.
The best compliment I ever got from the public or producers or directors is that I just totally blend in and become the character and they don't notice me and that the play happens or the movie happens or the TV show happens.
That which exists in nature is a something purely individual and particular. Art, on the contrary, is essentially destined to manifest the general.
To Jacob the act of critiquing art was essentially imprecise. That's why he didn't read reviews on anything he liked, be it a book, a movie, or a record. He believed that any work an artist puts forth which contains the truth as he or she sees it is worthy of consideration, and any commentary of the work beyond that is nothing more than pure individual opinion and should not be considered relevant to the work itself.
I've always told the musicians in my band to play what they know and then play above that. Because then anything can happen, and that's where great art and music happens.
One clear difference between art and commercial work is that commercial work is exploitive: the work may be high quality but the intention is to sell product or tickets. Art exists with or without ticket sales.
The movie is in my head and that's the movie. But I'd be crazy to not be flexible. I think because I have the movie in my head, I can be flexible. I know what's going to work and not work and I know, generally, what I can change and bend and have the movie still work.
Every ignoramus imagines that all that exists, exists with a view to his individual sake; it is as if there were nothing that exists except him. And if something happens to him that is contrary to what he wishes, he makes the trenchant judgement that all that exists is an evil.
Art arises from loss. I wish this weren't the case. I wish that every time I met a new woman and she rocked my world, I was inspired to write my ass off. But that is not what happens. What happens is we lie around in bed eating chocolate and screwing. Art is what happens when things don't work out, when you're licking your wounds. Art is, to a larger extent than people would like to think, a productive licking of the wounds.
This is the evolutionary value of play- play makes us flexible. By reinterpreting reality and begetting novelty, we keep from becoming rigid. Play enables us to rearrange our capacities and our very identity so that they can be used in unforeseen ways.
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
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