A Quote by Sydney Pollack

It's hard for me to fall in love with a piece of material enough to want to direct it. — © Sydney Pollack
It's hard for me to fall in love with a piece of material enough to want to direct it.
It's very hard for a studio to take a chance on a piece of original material. They used to have the fall-back of DVD sales. They had ways in which they could safely make an investment in a piece of original material, and those opportunities aren't necessarily there anymore.
There's material that I read that I fall in love with, and I always get a little bit sad because I know that, when I fall in love with it, almost everyone else is falling in love with that same piece. Getting the crack at doing that thing that, in my soul, I know I have to do it, that's the role.
When I write a project, it might be something that I want to do and then when I look at it, I'm actually like, "I kind of don't want to direct it." I don't know why, I still love it enough for it to be made and to support it, but I don't want to direct it. I just give it to other directors and they do a good job!
If you want something hard enough, whether it be a material possession or just something in your life, if you work hard enough there is absolutely no reason why you can't obtain it.
Maybe...you'll fall in love with me all over again." "Hell," I said, "I love you enough now. What do you want to do? Ruin me?" "Yes. I want to ruin you." "Good," I said. "That's what I want too.
A lot of people ask me to produce or direct, but I don't think I'm qualified. It's hard enough for a person to do just one thing well in their life. I don't want to do too much.
I just want that unconditional love, the kind you get with a family member. You might get lucky enough to find that unconditional love in a friend or a lover, but it's very rare. So if I ever have a kid, it'd be so that I could look in those eyes and know that this child is a piece of me and will love me the same way I love, but I think that's selfish of me.
I fall in love too easily, I fall in love too fast I fall in love too terribly hard, for love to ever last My heart should be well schooled, 'cause I've been fooled in the past And still I fall in love too easily, I fall in love too fast
What you want, as a filmmaker, is to be obsessed with and fall in love with the material.
Even my wife and two of my children are in "Leaves of Grass". Because I love the source material so much, it was really easy to write and an utter delight to get to direct because I had people like Edward [Norton] elevating the material and surprising me in their interpretations of all of this stuff that's so close to me.
Tell me, is it possible to love someone who is not as smart as you are? ...But isn't it important for you to think she is smarter than you in order to fall in love? ...Why is that? Because we want to know things, how the pieces fit. Talkers seduce, words direct us into corners. We want more than anything to grow and change. Brave new world.
A piece of material has a life. You must never upset it if you want the material to speak.
I'm an actor who loves to direct film, if I find something that I'm compelled to do and want to spend three or four years doing. I really love the process, though. I might have to just say, "Yeah, I want to direct that," because I want to direct something, but that's just not the way my being is. It's got to be a necessity for me, otherwise I'll just keep acting.
The way I look at love is you have to follow it, and fall hard, if you fall hard. You have to forget about what everyone else thinks. It has to be an us-against-the-world mentality. You have to make it work by prioritizing it, and by falling in love really fast, without thinking too hard. If I think too hard about a relationship I'll talk myself out of it. I have rules for a lot of areas of my life. Love is not going to be one of them.
One piece of advice I have is: Want something else more than success. Success is a lovely thing, but your desire to say something, your worth, and your identity shouldn’t rely on it, because it’s not guaranteed and it’s not permanent and it’s not sufficient. So work hard, fall in love with the writing — the characters, the story, the words, the themes — and make sure that you are who you are regardless of your life circumstances. That way, when the good things come, they don’t warp you, and when the bad things hit you, you don’t fall apart.
I fall in love every time. And I don't really fall in love a lot, but when I do, I fall hard.
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