A Quote by Sylvia Earle
Like a shipwreck or a jetty, almost anything that forms a structure in the ocean, whether it is natural or artificial over time, collects life.
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The universe is made up of an endless ocean of life itself. It is an endless ocean of itself. And for a time it binds itself together in particularized forms. Those forms have perception and they perceive themselves as being separate.
Artificial selection turned the wolf into the shepherd, and the wild grasses into wheat and corn. In fact, almost every plant and animal that we eat today was bred from a wild, less edible ancestor. If artificial selection can work such profound changes in only ten or fifteen thousand years, what can natural selection do operating over billions of years? The answer is all the beauty and diversity of life.
This fundamental subject of Natural Selection will be treated at some length in the fourth chapter; and we shall then see how Natural Selection almost inevitably causes much Extinction of the less improved forms of life and induces what I have called Divergence of Character.
Writing a book I have found to be like building a house. A man forms a plan, and collects materials.
Great emotion always tends to become rhythmic, and out of that tendency the forms of art have been evolved. Art becomes artificial only when the forms take precedence over the emotion.
My own first love was biology. I spent a great part of my adolescence in the Natural History museum in London (and I still go to the Botanic Garden almost every day, and to the Zoo every Monday). The sense of diversity of the wonder of innumerable forms of life has always thrilled me beyond anything else.
I was thinking about the generation before us, like John Barth and all of those pomo dudes who had that idea of, instead of hiding the structure and making it look organic and natural, we're going to put the structure on the outside. But most of the time, at least for me, all I could attend to [in Swing Time] was that act of structural self-consciousness.
My mom told me that even as a toddler I wasn't afraid of anything. She thought something was wrong with me. I didn't know how to walk or swim, but that didn't stop me from crawling into the ocean and almost drowning over and over again.
Like democracy itself, jazz has structure, but within it you can say almost anything.
I've been around a long time and I've found that these forms, whether it's the cartoon, or whether it's a play, or all these dying forms refuse to die. Something happens to rejuvenate them and it will certainly happen to the political cartoon. It will come back. But whether it's on the internet, or whether it's in some other form, however that works, whether it looks the way it looks now, or entirely different, I have no idea. And thank God I don't have to worry about it.
Karma is like the vine that gathers strength through uninterrupted years, and which fastens its tendrils so closely that it is as strong as the structure to which it adheres. There is no way to destroy its power except by the separation of the parts, these parts renew themselves in other forms of life, but the structure is freed when its root is destroyed.
The Earth is big. There are huge natural forces that have worked over geological time. But it turns out, when you look carefully at the geological time, you can't find anything like us.
We don't go to the ocean for anything as simple as happiness, do we? We go there to feel alive. Like life, the ocean holds chance and change, grief and terror and beauty. It promises mortality, not peace.
Every time I get a chance to be out in the ocean, it's like hitting a reset button for me where I just feel alive again, in perfect balance. Music can give me that, as well, but not as easily. The ocean is the way I know how to find it almost daily.
Artificial manures lead inevitably to artificial nutrition, artificial food, artificial animals and finally to artificial men and women.
The conventional, and painfully artificial, separation of the human realm from the natural other is bound to perish, albeit over a period of time, until we are obliged to learn how to cultivate our gardens under the most demanding conditions.
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