A Quote by T. K. V. Desikachar

There are two types of teachers. Those who tell you what you want to hear and those who tell you what you don't want to hear. — © T. K. V. Desikachar
There are two types of teachers. Those who tell you what you want to hear and those who tell you what you don't want to hear.
I have no patience with people who want to tell me what's wrong. I only want to hear from the person who first tells me the solution and then fills me in on the problem. I don't want to hear that your basement is flooded. I want to hear that you've found the number to the cleanup company. Then tell me why you're calling them.
I have to tell you, as your Secretary of State, I went to 112 countries, and when people hear those words, they hear America. So don't let anyone tell you that our country is weak. We're not. Don't let anyone tell you we don't have what it takes. We do.
Those who tell the Truth love you. Those who tell you what you want to hear love themselves.
The absolute heart of loyalty is to value those people who tell you the truth, not just those people who tell you what you want to hear. In fact, you should value them most. Because they have paid you the compliment of leveling with you and assuming you can handle it.
Show, not tell, right? Action, not words. You don’t want to hear how sorry I am or how things will be different this time. You want to see it with your own eyes. And until I can show you that, you won’t tell me what I want to hear.
As far as I can tell, there are two kinds of poets: those who want to tell stories and sing songs, and those who want to work out the chemical equation for language and pass on their experiments as poetry.
The news isn't there to tell you what happened. It's there to tell you what it wants you to hear or what it thinks you want to hear.
Value those colleagues who tell you the truth, not just what you want to hear.
Politicians like to tell people what they want to hear - and what they want to hear is what won't happen.
There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
I want you to hear how I can tell stories. I want you to hear how I can make these records about these females and make them feel every way I can. I want you to feel my magic. I want you to respect me and my artistry.
It's so much easier to tell people what they want to hear instead of what they need to hear.
Intuition doesn't tell you what you want to hear; it tells you what you need to hear.
True teachers of enlightenment are hard to find. The popular ones, of course, usually aren't enlightened because how could they be? They just tell people what they want to hear.
I can hear what I want [people] to play. If you don't hear what you want someone to play, then you can't tell 'em.
One of the rules of the road is that if you want to create the sense of silence, it frequently has more pungency if you include the tiniest of sounds. By manipulating what you hear and how you hear it and what other things you don't hear, you can not only help tell the story, you can help the audience get into the mind of the character.
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