A Quote by T. K. V. Desikachar

Another important aspect is that the masters taught us to move from a deeper source,not just from muscles and joints. — © T. K. V. Desikachar
Another important aspect is that the masters taught us to move from a deeper source,not just from muscles and joints.
People need to learn how to respond to each other's hatreds with love - which is what Jesus taught us, which is what Buddha came here to teach us, which is what Muhammad taught us, which is what all of the great spiritual masters who have ever walked among us who live at those highest energies taught us - responding to force with more force will just create more problems.
The important aspect shouldn't be whose administration it is, the important aspect should be how does the state of Wisconsin work, what can we do to move Wisconsin forward.
Basically, you're still sitting there using just the muscles of your hand, really. Of one hand, actually. It's another example of the transfer of literacy to making music because the assumption is that everything important is happening in your head; the muscles are there simply to serve the head. But that isn't how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They're using their whole body to make music, in fact.
When you're hypermobile, it's easy to think your muscles are flexible, but your flexibility is really around your joints and not your muscles.
A source of permanent, accessible pleasure, our genitals exist. The god who created our misfortune, who made us short-lived, vain and cruel, has also provided this form of meagre compensation. If we couldn't have sex from time to time, what would life be? A futile struggle against joints that stiffen, caries that form. All of which, moreover, is as uninteresting as humanly possible - the collagen which makes muscles stiffen, the appearance of microbic cavities in the gums.
There are many occasions when the muscles that form the lips of the mouth move the lateral muscles that are joined to them, and there are an equal number of occasions when these lateral muscles move the lips of this mouth, replacing it where it cannot return of itself, because the function of muscle is to pull and not to push except in the case of the genitals and the tongue.
The other aspect of idealism is the one which gives us our notion of the absolute Self. To it the first is only preparatory. This second aspect is the one which from Kant, until the present time, has formed the deeper problem of thought.
Rock & roll seemed to just come to us, on the radio and in the record stores. It became our music. . . But then we uncovered another, deeper level, the history behind rock and R&B, the music behind our music. All roads led to the source, which was the blues.
Marathons are hard because of the physical pain, the pounding on the muscles, joints, tendons.
But I think happiness springs from another source, a far deeper one that doesn't depend on will because it comes from love.
Ballet is quite unnatural on the joints. My body is just worn. My joints are 10 years older than me.
What if at school you had to take an 'art class' in which you were only taught how to paint a fence? What if you were never shown the paintings of Leonardo da Vinci and Picasso? Would that make you appreciate art? Would you want to learn more about it? I doubt it..........but this is how math is taught and so in the eyes of most of us it becomes the equivalent of watching paint dry. While the paintings of the great masters are readily available, the math of the great masters is locked away.
An artist's voice, communication, that's very important. The learning, the building of your energy to communicate deeper and deeper even without words, the expanse of your source-spark energy to reach people at deeper energy levels is very beautiful to learn about since it's our mission here as artists to help beings transcend limitations and any feeling, thing keeping their love down to show them that we are all artists with very special sides of energy light from the creator.
Luckily, I remembered something Malcolm Cowley had taught us at Stanford - perhaps the most important lesson a writing class (not a writer, understand, but a class) can ever learn. 'Be gentle with one another's efforts,' he often admonished us. 'Be kind and considerate with your criticism. Always remember that it's just as hard to write a bad book as it is to write a good book.'
I'm a self-taught actor, which means that I had to learn everything on my own, as I wanted to know the craft deeper and deeper.
One very important aspect of our contemporary musical culture - some might say the supremely important aspect - is its extension in the historical and geographical senses to a degree unknown in the past.
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