A Quote by Tacitus
Then there is the usual scene when lovers are excited with each other, quarrels, entreaties, reproaches, and then fondling reconcilement.
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If love exists between two persons, it is blessed. If love does not exist between two persons, then all your laws put together cannot bridge them. Then they exist separate, then they exist apart, then they exist in conflict, then they exist always in war. And they create all kinds of trouble for each other. They are nasty to each other, nagging to each other, possessive of each other, violent, oppressive, dominating, dictatorial.
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
The lovers enter into a story together - "this how we met, this is how we were meant for each other" - and then at some point (in my experience, at least), the story splits, and they no longer share it. Then, you either change the story, or you break up. I've always broken up.
There never is any such thing as one truth to be found in dramatic art. There are many. These truths challenge each other, recoil from each other, reflect each other, ignore each other, tease each other, are blind to each other. Sometimes you feel you have the truth of a moment in your hand, then it slips through your fingers and is lost.
I tell myself, 'If I can wake up each day and be excited about what I'm doing, then I must be happy.' But then again, maybe I'm in denial.
All directors on all sets behave slightly differently depending on what the scene is. For example, if you are doing a love scene, which is intimate then the director is likely to be intimate. If you are doing a scene where everyone is mucking around and laughing then the director is likely to start with that. If you are playing a scene which us incredibly heavy and everyone getting killed then there are probably not many laughs on the set.
First I shake the whole Apple tree, that the ripest might fall. Then I climb the tree and shake each limb, and then each branch and then each twig, and then I look under each leaf.
A string of reproaches against other people leads one to suspect the existence of a string of self-reproaches with the same content.
When you label somebody and put them in a box, then you put the lid on the box, and you just never look inside again. I think it's much more interesting for human beings to look at each other's stories and see each other. Really see each other and then see themselves through other people's stories. That's where you start to break down stereotypes.
All lovers in the world are alike: they fall in love by chance; they see each other, and are attached to each other by the features of their faces; they illuminate each other by the fierce preference which is akin to madness; they assert the reality of illusions; and for a moment they change falsehood into truth.
People disappeared, reappeared, made plans to go somewhere, and then lost each other, searched for each other, found each other a few feet away.
Film and television are so piecemeal. You do one scene, and then you put it to bed, and then you do a scene that comes before. In a play, you have to go from beginning to end every night, and that's harder, but also more fulfilling in a way.
It's just really, really beautiful. Each scene is one long 15 minute take without cutting. My scene is with Robin Wright-Penn so I'm pretty excited about that.
If people work together in an open way with porous boundaries - that is, if they listen to each other and really talk to each other - then they are bound to trade ideas that are mutual to each other and be influenced by each other. That mutual influence and open system of working creates collaboration.
What I tell young couples that are getting married is: you're going to have quarrels, and on some things, you're just going to have to agree to disagree. And when you go to bed at night, kiss each other and tell each other that you love each other. Don't go to bed mad. Life is too short. Keep it simple.
I sat there and forgot and forgot, until what remained was the river that went by and I who watched. On the river the heat mirages danced with each other and then they danced through each other and then they joined hands and danced around each other. Eventually the water joined the river, and there was only one of us. I believe it was the river.
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