A Quote by Taika Waititi
I'm really not trying to do everything that comes to mind because that's when it can be dangerous. For instance, I believe as much as possible, how your camera moves and flies around should be limited to the physics of how you could do it in real life.
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If you believe that there’s a heaven and hell and people could be going to hell—or not getting eternal life or whatever—and you think that, well, it’s not really worth telling them this because it would make it socially awkward. . . . How much do you have to hate somebody to not proselytize? How much do you have to hate somebody to believe that everlasting life is possible and not tell them that?
When I was in college, I didn't like physics a lot, and I really wasn't very good at physics. And there were a lot of people around me who were really good at physics: I mean, scary good at physics. And they weren't much help to me, because I would say, 'How do you do this?' They'd say, 'Well, the answer's obvious.'
You put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you. The camera is an instrument that teaches people how to see without a camera.
How much we can do depends on how much we think we can do. When you really believe you can do more, your mind thinks creatively and shows you the way.
If I had not lived the life I had lived and did not have the wife I have and the children I have, I would never know how to play that role [of Dr. Bedsloe], and I wouldn't have any of those qualities. It's a real example of how it is true that the camera catches everything. Even the stuff you're trying to hide.
Where there was nature and earth, life and water, I saw a desert landscape that was unending, resembling some sort of crater, so devoid of reason and light and spirit that the mind could not grasp it on any sort of conscious level and if you came close the mind would reel backward, unable to take it in. It was a vision so clear and real and vital to me that in its purity it was almost abstract. This was what I could understand, this was how I lived my life, what I constructed my movement around, how I dealt with the tangible.
It's a funny thing, if I could choose anything to do, it wouldn't be to be in front of a camera because I've spent so much of my time, so much of my life trying to get really good at writing songs and playing instruments.
Real thinking is possible only in the light of genuine language, no matter how limited, how primitive.
The feeling that was born that night, how could i describe it?Words like love or lust just don't seem right. I may call it jealousy, or may be anxiety and moreover, need. Even now I'm anxious at times because when I am with Ren, everything around feels like a dream. That was how Ren turned my boring life into an illusion, and that was too much for no matter how hard i tried, it seemed I could never catch him.
I think everything in life is art. What you do. How you dress. The way you love someone, and how you talk. Your smile and your personality. What you believe in, and all your dreams. The way you drink your tea. How you decorate your home. Or party. Your grocery list. The food you make. How your writing looks. And the way you feel. Life is art.
I look very different on camera compared with how I do in real life. On camera, I look my best when everything is enhanced, especially my eyes - I like a smoky eye. In real life, I like myself best in tinted moisturiser, lip balm and mascara.
I believe that everyone should have a dream and believe in it. Make it real, bring it to life. You'll never regret trying. Trying is what strengthens your heart and delivers courage. Once you believe in yourself, nothing can stop you.
What was weird for me after 'Amelie' was how people look at you. It moves all your relationships and sometimes even your intimate ones, and you don't understand why suddenly everything around you changes, because you are exactly the same person.
Sometimes I feel really bad for the audience. I don't know how to make them happy. And you just feel drained cause you're trying everything possible to turn things around. And sometimes it is possible to turn things around on stage, and I've done it before, but sometimes it's impossible.
At the close of life the question will be not how much have you got, but how much have you given; not how much have you won, but how much have you done; not how much have you saved, but how much have you sacrificed; how much have you loved and served, not how much were you honored.
How much simpler it would be all around if you could put your mind in a cast, like a broken ankle, and elicit murmurings of sympathy from other people instead of skepticism (“You can’t really be feeling as bad as all that”) and in some cases outright hostility (“Maybe if you stopped thinking about yourself so much ”).
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